Mostrando las entradas con la etiqueta Doo-Wop. Mostrar todas las entradas
Mostrando las entradas con la etiqueta Doo-Wop. Mostrar todas las entradas

domingo, 19 de octubre de 2025

Original Motion Picture Soundtrack "Grease (2008 Reissue, Remastered, 30th Anniversary Limited Deluxe Edition, Polydor/Universal, 9809773)"

Grease: The Original Soundtrack from the Motion Picture is the original motion picture soundtrack for the 1978 film Grease. It was originally released by RSO Records and subsequently re-issued by Polydor Records between 1984 and 1991. It has sold over 30 million copies worldwide, making it one of the best-selling albums of all time, also ranking amongst the biggest selling soundtrack albums of all time. The song "You're the One That I Want" was a U.S. and UK No. 1 for stars John Travolta and Olivia Newton-John.

Besides performers John Travolta and Olivia Newton-John, the album also featured songs by rock and roll revival group Sha Na Na as well as the hit song "Grease", a tune written by Barry Gibb (of the Bee Gees) and sung by Frankie Valli (of The Four Seasons) that was an additional U.S. No. 1.

The soundtrack was released on April 14, 1978, two months ahead of the film's release. As with most musicals of the period, the vocal takes recorded for the album release–and in some cases the instrumental background as well–do not lock to picture but were recorded during entirely different soundtrack sessions often months prior or subsequent to the performances used for lip sync in the film.

The cover gives credit to, and prominently features, the two stars of the film—John Travolta and Olivia Newton-John—although they only appear on seven of the 24 tracks. Sha Na Na performed many of the 1950s numbers in the film, the recordings of which also appear on the soundtrack. Stockard Channing sings lead on two of the tracks; the two tracks remain her only significant contribution to recorded popular music to date. The title track is featured twice on the soundtrack and performed by Frankie Valli, who had no other connection with the film.

The entirety of the score written by Jim Jacobs and Warren Casey for the Broadway musical was included on the soundtrack and/or in the film, with the exception of two songs: "Shakin' at the High School Hop" (originally composed to open Act II of the musical) and "All Choked Up" (the song originally written into the spot where the film used "You're the One that I Want") were both left out of both the film and the soundtrack. Not all of the songs were included in the film; songs cut from the film were performed on the soundtrack by Louis St. Louis and Cidny (then Cindy) Bullens or converted to instrumentals. Songs in the musical that were not performed by Rizzo, Danny, Sandy, the Teen Angel, or Johnny Casino & the Gamblers were given to those characters or to St. Louis and Bullens; these included Sandy's original feature number "It's Raining on Prom Night" (given to Bullens and used as a jukebox background song), Marty's "Freddy, My Love" (given to Bullens), Doody's "Those Magic Changes" (given to Johnny Casino & the Gamblers), Kenickie's "Greased Lightnin'" (given to Danny), and both of the songs originally attributed to a character named Roger that was written out of the film, "Mooning" and "Rock'n'Roll Party Queen" (both given to St. Louis; "Mooning" was replaced in function in the film by the 1930s standard "Blue Moon," performed by the Gamblers). Rizzo's 11 o'clock number "There Are Worse Things I Could Do" was only kept in the film at Channing's fervent insistence, as she felt the song (and the storyline behind it) was necessary to prevent Rizzo from becoming a one-dimensional caricature.

The most successful songs from the soundtrack were written specifically for the film. They included the Billboard number-one hits "Grease", "You're the One That I Want" and the Academy Award-nominated "Hopelessly Devoted to You". In the UK, the album proved even more successful where "You're the One That I Want" and "Summer Nights" (a song carried over from the original musical) reached No.1 for nine and seven weeks respectively, while "Grease", "Hopelessly Devoted to You" and "Sandy" all became top three hits. The soundtrack album hit the top of the charts in the US during the summer of 1978, replacing The Rolling Stones' Some Girls. In the UK, it remained at the top of the charts for 13 consecutive weeks. As of 2011, "You're the One That I Want" and "Summer Nights" are still among the 20 best-selling singles of all time in the UK (at Nos. 6 and 19 respectively). "Greased Lightnin'," another carryover from the stage version, was also released as a single, reaching the top 20 in the UK but narrowly missing the top 40 in the U.S. in part because of the lyrical content not being permitted on U.S. radio.

Two of the bass players who recorded on the Grease soundtrack were members of Toto. One of these, David Hungate, also performed on Newton-John's album Totally Hot with Toto guitarist Steve Lukather. Other musicians on the soundtrack had previously worked with Elton John, Steely Dan, Bee Gees and others. The Grease album, as well as the soundtrack for the film, were recorded and mixed by David J. Holman.

The album has sold over 6.1 million copies in the U.S. in the SoundScan era (beginning 1991) in addition to the 8 million shipped in the years 1978–1984.

In their review, Billboard stated that "RSO follows its record breaking Saturday Night Fever soundtrack with another apparent smash film track. The double pocket set contains 24 cuts of original Broadway material as well as new material written specifically for this contemporized version. Olivia Newton-John and John Travolta shine with their best vocal efforts, especially Newton-John on the rapidly rising single 'You're The One That I Want.'"

Cashbox noted that "the former Broadway hit sounds like a winner on vinyl, too. With great vocals from stars Olivia Newton-John and John Travolta and help from Sha-Na-Na, Frankie Valli and Peter Frampton, this 2- LP set should slide to the top of the pop chart. One hit single is already out, and more will follow."

Stephen Thomas Erlewine of AllMusic retrospectively rated the soundtrack four-and-a-half stars. He stated that "the originals hold up better than the '50s tunes" due in large part to Sha Na Na's workmanlike performances of the latter. Erlewine added however that the original songs "are so giddily enjoyable that everything works". He also said that "the sleek pop production the movie's soundtrack boasts and the cast's enthusiastic performances go a long way in making this Grease the definitive Grease." The album was nominated for Album of the Year at the 21st Annual Grammy Awards.

Tracklist:

Disc 1: Grease Remastered
  1. Frankie Valli – Grease 3:25
  2. John Travolta & Olivia Newton-John – Summer Nights 3:36
  3. Olivia Newton-John – Hopelessly Devoted To You 3:05
  4. John Travolta & Olivia Newton-John – You're The One That I Want 2:49
  5. John Travolta – Sandy 2:35
  6. Frankie Avalon – Beauty School Dropout 3:59
  7. Stockard Channing – Look At Me, I'm Sandra Dee 1:40
  8. John Travolta – Greased Lightnin' 3:14
  9. Cindy Bullens – It's Raining On Prom Night 2:52
  10. Alone At The Drive-In-Movie (Instrumental) 2:23
  11. Sha-Na-Na – Blue Moon 2:25
  12. Sha-Na-Na – Rock 'N' Roll Is Here To Stay 2:02
  13. Sha-Na-Na – Those Magic Changes 2:18
  14. Sha-Na-Na – Hound Dog 1:25
  15. Sha-Na-Na – Born To Hand Jive 4:39
  16. Sha-Na-Na – Tears On My Pillow 2:03
  17. Louis St. Louis & Cindy Bullens – Mooning 2:15
  18. Cindy Bullens – Freddy My Love 2:48
  19. Louis St. Louis – Rock 'N' Roll Party Queen 2:11
  20. Stockard Channing – There Are Worse Things I Could Do 2:23
  21. Olivia Newton-John – Look At Me, I'm Sandra Dee (Reprise) 1:30
  22. John Travolta, Olivia Newton-John & Cast – We Go Together (Interpolating: A) Which Doctor (Bagdasarian), B) Who Put The Bomp (In The Bomp, Bomp, Bomp, Bomp)) 2:59
  23. Love Is A Many Splendored Thing (Instrumental) 1:23
  24. Frankie Valli– Grease (Reprise) 3:24

Disc 2: Grease Bonus Disc
  1. Grease (Instrumental) 3:23
  2. Summer Nights (Sing-A-Long Version) 3:34
  3. Hopelessly Devoted To You (Sing-A-Long Version) 3:03
  4. You're The One That I Want (Sing-A-Long Version) 2:32
  5. Sandy (Sing-A-Long Version) 2:30
  6. John Travolta – Greased Lightnin' (Single Version) 3:20
  7. Rydell Fight Song (Previously Unreleased Instrumental) 0:20
  8. Greased Up And Ready To Go (Previously Unreleased Instrumental) 4:49
  9. Olivia Newton-John & John Travolta – Grease Megamix 4:48
  10. Olivia Newton-John & John Travolta – Grease Dream Mix 3:45
  11. John Travolta & Olivia Newton-John – Summer Nights (Martian Remix) 3:37
  12. John Travolta & Olivia Newton-John – You're The One That I Want (Martian Remix) 3:25
All selections except "Grease" arranged by: John Farrar, Michael Gibson, Louis St. Louis
Strings on "Summer Nights" arranged by Ben Lanzarone
Horns and Strings on "Greased Lightnin'" and "Born to Hand Jive" arranged by Michael Melvoin
Karl Richardson – engineer ("Grease")
Recorded at: Filmways/Wally Heider Recording Studios, Hollywood
United Western Studios, Hollywood
Hollywood Sound Recorders, Hollywood
Engineered by: David J. Holman, Jay Lewis, EirBilly Joel Wangberg, Michael Carneval, Karl Richardson ("Grease")
All selections mixed and re-mixed by David J. Holman at Filmways/Wally Heider Recording Studios, Hollywood (Except "Grease")
Produced by: Louis St. Louis and John Farrar; Barry Gibb, Albhy Galuten and Karl Richardson ("Grease")
Album mastered at A&M Records by Bernie Grundman
Art direction: Glenn Ross
Album design: Tim Bryant/George Corsillo
Photography: Alan Pappe/Lee Gross Assoc., Inc.
Background photos: Ron Slenzak


















































martes, 4 de abril de 2023

Billy Joel "An Innocent Man [Japan, 2004 Mini LP MHCP-545]"

An Innocent Man is the ninth studio album by American singer-songwriter Billy Joel, released on August 8, 1983. The concept album is a tribute to the American popular music of Joel's adolescent years with Joel paying homage to a number of different and popular American musical styles from the late 1950s and early 1960s, most notably doo-wop and soul music. The album cover artwork was taken on the front steps of 142 Mercer Street, just north of the intersection of Mercer and Prince Street in the SoHo neighborhood of Manhattan, New York City.

In an interview about the making of the album, Joel talks about the fact that at the time that he was recording An Innocent Man, he was newly divorced from his first wife, Elizabeth Weber, and was single for the first time since achieving rock star status. He had the opportunity to date supermodels such as Elle Macpherson and Christie Brinkley, and because of these experiences, he said, "I kind of felt like a teenager all over again." Joel started writing songs in the same styles as pop songs that he remembered from his teenage years, citing pop music from the late 1950s and early 1960s, including "early R&B songs and The Four Seasons, and the Motown music, soul music." According to Joel, the various songs were not meant to be autobiographical, and instead center around various made-up characters.

Joel explained, "When you're gonna write [songs for a new album], you write what you're feeling. And I didn't fight it. The material was coming so easily and so quickly, and I was having so much fun doing it. I was kind of reliving my youth. ... I think within 6 weeks I had written most of the material on the album." Joel also said that he was pleasantly surprised to have hit records in the 1980s with retro songs like the mostly a cappella doo wop song "The Longest Time." The song "Easy Money", which was made as a tribute to early R&B, was initially written for the 1983 film of the same name starring Rodney Dangerfield, and was the song that "kicked off" the creation of An Innocent Man, according to Joel. Dangerfield later made a cameo appearance at the end of the music video for the song "Tell Her About It", as an exchange for Joel's song in support of Dangerfield's movie. The song "Christie Lee" describes a narrative about a saxophone player who has his heart broken by a woman he falls in love with, whom he later realizes is only interested in him for his saxophone skills.

The album featured three Billboard Top 10 hit singles: "Tell Her About It" (No. 1), "Uptown Girl" (No. 3) and "An Innocent Man" (No. 10). Four other singles were released from the album: "The Longest Time" (No. 14), "Leave a Tender Moment Alone" (No. 27), "Keeping the Faith" (No. 18) and "This Night" (US B-side of "Leave a Tender Moment Alone"). "Tell Her About It" and "Uptown Girl" garnered international success—"Uptown Girl" reached No. 1 in the UK, Australia and New Zealand. An Innocent Man remained on the US Pop album chart for 111 weeks, becoming Joel's longest charting studio album behind The Stranger. For over a year, the album remained on the charts in the UK, Japan and Australia.

Like his three previous efforts, Joel's An Innocent Man received a nomination for the 26th Grammy Award for Album of the Year, although the award went to Michael Jackson's Thriller. The album was also nominated for a Grammy for Best Male Pop Vocal Performance for "Uptown Girl," but again was beaten by Thriller.

Track listing
All songs by Billy Joel, except for the chorus for "This Night," which is credited on the sleeve to L. v. Beethoven.

The track listing on the LP is slightly different from that on the cassette and original CD pressings, with the latter swapping the places of "The Longest Time" and "Uptown Girl." However, on the actual cassette shell and disc label, the songs are listed (and play) in the correct order as printed on the LP.

Side one
  1. "Easy Money" (Homage to James Brown and Wilson Pickett) 4:04
  2. "An Innocent Man" (Homage to Ben E. King and The Drifters) 5:17
  3. "The Longest Time" (Homage to doo-wop groups like Frankie Lymon and the Teenagers) 3:42
  4. "This Night" (Homage to Little Anthony and the Imperials; chorus tune is Ludwig van Beethoven's Pathetique sonata) 4:17
  5. "Tell Her About It" (Homage to Motown groups like The Supremes and The Temptations) 3:52
Side two
  1. "Uptown Girl" (Homage to Frankie Valli and The Four Seasons) 3:17
  2. "Careless Talk" (Homage to Sam Cooke) 3:48
  3. "Christie Lee" (Homage to Little Richard or Jerry Lee Lewis) 3:31
  4. "Leave a Tender Moment Alone" (Homage to Smokey Robinson) 3:56
  5. "Keeping the Faith" (Homage to Betty Wright's "Clean Up Woman". Lyrical homage to Pre-British Invasion Rock n Roll) 4:41
Producer – Phil Ramone
Engineers – Jim Boyer and Bradshaw Leigh
Assistant Engineers – Mike Allaire and Scott James
Production Coordinator – Laura Loncteaux
Mastered by Ted Jensen
Horn and String arrangements – David Matthews
Background vocal arrangements – Tom Bahler
Musical Advisor – Billy Zampino
Photography – Gilles Larrain
Cover Design – Christopher Austopchuk and Mark Larson
Recorded at Chelsea Sound and A & R Recording, Inc., New York, NY.
Mixed at A & R Recording, Inc., New York, NY.
Mastered at Sterling Sound, New York, NY.
















viernes, 23 de abril de 2021

Billy Joel "The Longest Time (Single & Video)"

"The Longest Time" is a doo-wop song by Billy Joel, released in 1984 as the fourth single from the 1983 album An Innocent Man. Following the theme of the album in paying tribute to Joel's musical influences, the song is presented in the style of Frankie Lymon and the Teenagers. It reached number 14 on the Billboard Hot 100 and number 1 on Billboard's Adult Contemporary chart. In the United Kingdom the song reached number 25 on the UK Singles Chart.

The song features Joel on lead vocals, all backing vocals, and percussive sounds such as finger snaps and hand claps. The only two instruments in the song are a bass guitar and a snare drum being played with brushes. When the song is covered by vocal groups, the bass part is typically sung. Phil Ramone and Joel had intended to feature a vocal group but Joel recorded each of the parts himself.

The music video starts with a man (played by Joel) in a gym after his 25th high school reunion party. Looking around at posters of several class awards, he breaks into song as his band, apparently portrayed as his high school friends, enters the gym. As they sing, they alternate between their high school and current selves, ending with their high school selves walking out of the restroom and interacting with a puzzled janitor. The video was entirely filmed at Pratt Institute in Brooklyn and was directed by Jay Dubin.