Mostrando las entradas con la etiqueta Michael Jackson. Mostrar todas las entradas
Mostrando las entradas con la etiqueta Michael Jackson. Mostrar todas las entradas

sábado, 25 de octubre de 2025

Paul McCartney "All The Best! (USA, Capitol Records/Parlophone, CDP 7 48287 2)"

All the Best! is the second official compilation album of Paul McCartney's music, after 1978's Wings Greatest. It was released in 1987 on Capitol Records and Parlophone Records.

The album contains tracks from the beginning of his solo career in 1970 up to (on editions outside the United States) the newly recorded "Once Upon a Long Ago". The American version has a different track listing, reflecting the popularity of particular songs there. Originally the album was to include the unreleased London Town track "Waterspout"; there are LP slicks that feature it as the opening track on side two, as well as a cartoon icon, but the song was omitted at the last minute.

Editions outside the United States have 20 tracks on the vinyl version and 17 on CD; the CD omits "Maybe I'm Amazed", "Goodnight Tonight", and "With A Little Luck". The American edition has 17 tracks on both vinyl and CD, and omits "Pipes of Peace", "Maybe I'm Amazed", "Once Upon A Long Ago", "We All Stand Together", and "Mull of Kintyre", but adds "Junior's Farm" and "Uncle Albert/Admiral Halsey". It also substitutes the studio version of "Coming Up" with an edit of the live version, and has a shorter version of "With A Little Luck".

Originally, McCartney wanted to release an outtakes album called Cold Cuts, on which he had been working for over ten years. But his manager recommended that releasing a best-of compilation would have been a better idea. So when All the Best! was released the Cold Cuts album was permanently abandoned.

All the Best! was a commercial success in the UK, where it reached number 2 (having been kept off the top position by George Michael's debut solo album, Faith). In America, the compilation peaked at number 62, although it was eventually certified double platinum there.

Tracklist:
  1. Paul McCartney & Wings – Band On The Run 
  2. Paul McCartney & Wings – Jet 
  3. Paul McCartney & Stevie Wonder – Ebony And Ivory
  4. Wings – Listen To What The Man Said 
  5. Paul McCartney – No More Lonely Nights
  6. Wings – Silly Love Songs
  7. Wings – Let 'Em In
  8. Paul McCartney & Michael Jackson – Say, Say, Say
  9. Paul McCartney & Wings – Live And Let Die
  10. Paul McCartney – Another Day
  11. Wings – C Moon
  12. Paul McCartney & Wings – Junior's Farm
  13. Paul & Linda McCartney – Uncle Albert / Admiral Halsey
  14. Paul McCartney – Coming Up (Live At Glasgow)
  15. Wings – Goodnight Tonight
  16. Wings – With A Little Luck
  17. Paul McCartney & Wings – My Love
Issued in a standard jewel case with black CD tray and a 20-page booklet with lyrics, photos and credits.























Paul McCartney "Pipes Of Peace (1993 Reissue, Remastered, The Paul McCartney Collection, UK, Parlophone, 0777 7 89267 2 6)"

Pipes of Peace is the fourth solo studio album by the English singer-songwriter Paul McCartney. It was released on 31 October 1983. As the follow-up to the popular Tug of War, the album came close to matching the commercial success of its predecessor in Britain but peaked only at number 15 on America's Billboard Top LPs & Tape chart. While Pipes of Peace was the source of international hit singles such as "Say Say Say" (recorded with Michael Jackson) and the title track, the critical response to the album was less favourable than that afforded to Tug of War.

Many of the songs released on Pipes of Peace were recorded during the 1981 sessions for Tug of War, with "Pipes of Peace", "The Other Me", "So Bad", "Tug of Peace" and "Through Our Love" being recorded afterwards, in September–October 1982. Consequently, the album has many things in common with its predecessor: it was produced by George Martin; it featured two collaborations with the same artist (this time with Michael Jackson – the Tug of War collaborations are with Stevie Wonder); and it continued McCartney's alliance in the studio with Ringo Starr and with 10cc guitarist Eric Stewart. It also contains his last session work with Wings guitarist Denny Laine. By November, McCartney would start shooting his self-written motion picture Give My Regards to Broad Street – co-starring his wife Linda, Starr and Tracey Ullman – which would take up most of his time throughout 1983. Due to the filming commitments (and to allow a reasonable lapse of time between his new album and Tug of War), the release of Pipes of Peace was delayed until October.

Unlike Tug of War, the album features an electro-tinged sound. On the track "Tug of Peace", McCartney blended the title song to Tug of War with that of the new album. In a retrospective review, Stephen Thomas Erlewine of AllMusic described the mix as "an almost-electro collage that twists the songs into McCartney II territory".

McCartney spent much of his energies finishing and preparing Give My Regards to Broad Street for release in the autumn of 1984.

In 1983, Pipes of Peace made its debut on CD on Columbia Records. In 1993, the album was remastered and reissued on CD as part of The Paul McCartney Collection. Three bonus tracks were included on the latter release: the previously unreleased "Twice in a Lifetime" (the title song of the 1985 film of the same name); his 1984 hit from the Rupert Bear project, "We All Stand Together"; and "Simple as That", released in 1986 on the charity album The Anti-Heroin Project – It's a Live-In World.

The album was reissued in remastered form in 2015 as part of the ongoing Paul McCartney Archive Collection series of releases. The version with "enhanced packaging" contains three discs: the remastered album itself, a bonus audio disc containing mostly demo versions of the songs found on the first disc, and a disc with a film. The reissue was accompanied by the Record Store Day exclusive single "Say Say Say (2015 Remix)".

"Say Say Say" was released as the album's lead single in October 1983. A duet with Michael Jackson, it reached number 2 in the UK and number 1 in the US, where it remained for six weeks through to early in 1984. Pipes of Peace peaked at number 4 in the UK and number 15 in the US. Following "Say Say Say", the album's title track became a UK number 1, while in the US, the flipside "So Bad" hit number 23.

Critical reaction was less positive than that which greeted Tug of War, many feeling that Pipes of Peace was a weaker execution of its predecessor's formula. In addition, according to McCartney biographer Howard Sounes, the album's commercial reception was "slightly disappointing, considering the quality of the work".

Reviewing the album for the NME, Penny Reel described Pipes of Peace as "A dull, tired and empty collection of quasi-funk and gooey rock arrangements ... with McCartney cooing platitudinous sentiments on a set of lyrics seemingly made up on the spur of the moment." Reel opined that the "one decent moment" was the title track, which he found to be "a Beatlish soiree surely destined as a Christmas single", before concluding: "Even here, however, a note of insincerity in the vocal finally defeats the lyric's objective."

Sounes views Pipes of Peace and its predecessor as "abounding with well-crafted tunes" that almost match the standard of McCartney's work with the Beatles; yet, he adds, the two albums "must be marked down for a surfeit of love ballads with lamentable lyrics". Reviewing the 2015 reissue of Pipes of Peace, for Pitchfork, Ron Hart notes that, at the time of release, "Some critics derided McCartney for aging gracelessly", yet "a good listen to the album today reveals some ways it was ahead of its time." Hart writes of the song "Tug of Peace": "an early, primitive version of a mash-up that brought together the title cuts of these underappreciated albums. The blend is clunky, but it foreshadows his electronic music work as the Fireman and on Liverpool Sound Collage."

By contrast, Jeff Strowe of PopMatters considers that the album "presents McCartney at his most regrettable", and views "Pipes of Peace" and "Tug of Peace" as, respectively, a "woefully underdeveloped title track" and a "dreadful mashup". Strowe writes more favourably of "Say Say Say", however, describing it as "catchy in that pure '80s manner", and highlights "Sweetest Little Show" and "Average Person" as "a nice one-two punch of refreshing creativity that give the proceedings a much needed spark of interest and vitality".

Track listing
All songs written by Paul McCartney, except where noted.
  1. "Pipes of Peace" 3:56
  2. "Say Say Say"     Paul McCartney/Michael Jackson  3:55
  3. "The Other Me" 3:58
  4. "Keep Under Cover" 3:05
  5. "So Bad" 3:20
  6. "The Man"  Paul McCartney/Michael Jackson  3:55
  7. "Sweetest Little Show" 2:54
  8. "Average Person" 4:33
  9. "Hey Hey" Paul McCartney/Stanley Clarke  2:54
  10. "Tug of Peace" 2:54
  11. "Through Our Love" 3:28
Additional tracks on the 1993 CD reissue
  1. "Twice in a Lifetime" 3:02
  2. "We All Stand Together" 4:25
  3. "Simple as That" 4:15
Track 12 - Paul McCartney's theme song for the same-name Gene Hackman/Ann-Margret film of 1985.
Otherwise unreleased until now.
Track 13 - Paul McCartney's main theme song for Rupert And The Frog Song, his animated short-feature and best-selling video. Recorded in 1980, the song was kept under wraps until 1984 and then soared to number three in Britain.
Track 14 - Previously available on a 1986 various artists charity album The Anti-Heroin Project - It's A Live-In World.

Please note there will be a 10 second break between original and bonus tracks.

Recording information:
George Martin – producer
Geoff Emerick – engineer
Jon Jacobs – assistant engineer
Mike Stavrou – assistant engineer
Alex Wharton – mastering
Clive Barker – artwork (chrome sculpture)
Vincent van Gogh – artwork (chair and pipe)
YES – creative direction, design
Linda McCartney – cover photography


























sábado, 28 de septiembre de 2019

Michael Jackson "Off The Wall"

Off the Wall is the fifth solo studio album by American singer Michael Jackson, released on August 10, 1979 in the United States by Epic Records and internationally by CBS Records. It was Jackson's first album released through Epic Records, the label he recorded under until his death in 2009, and the first produced by Quincy Jones, whom he met while working on the 1978 film The Wiz. Several critics observed that Off the Wall was crafted from funk, disco, soft rock, Broadway and pop ballads. Its lyrical themes include escapism, liberation, loneliness, hedonism and romance.

Off the Wall peaked at number three on the Billboard 200 and was an enormous commercial success, with Billboard additionally ranking it as the third best-selling album of 1980. Five singles were released from the album, three with music videos. Jackson wrote three songs himself, including the number-one single "Don't Stop 'Til You Get Enough". The second single from the album, "Rock with You" also peaked atop the Billboard Hot 100. With Off the Wall, Jackson became the first solo artist to have four singles from the same album peak inside the top 10 of the Billboard Hot 100. The record was a departure from Jackson's previous work for Motown Records, and was hailed as a major breakthrough for Jackson, while receiving critical recognition, along with praises, from major music publications.

Off the Wall was nominated for two Grammy Awards, with Jackson winning Best Male R&B Vocal Performance for "Don't Stop 'Til You Get Enough" which was his first Grammy Award. As of 2018, Off the Wall is certified eight times platinum in the United States and has reportedly sold more than 20 million copies worldwide, making it one of the best-selling albums of all time. Often considered one of the best disco albums of all time, the album was placed at number 68 on Rolling Stone list of "The 500 Greatest Albums of All Time" in 2003. The National Association of Recording Merchandisers listed it at number 80 on its list of the "Definitive 200 Albums of All Time". In 2008, Off the Wall was inducted into the Grammy Hall of Fame.

Between 1972 and 1975, Michael Jackson released a total of four solo studio albums with Motown; Got to Be There, Ben, Music & Me, and Forever, Michael. These were released as part of The Jackson 5 franchise, and produced successful singles such as "Got to Be There", "Ben" and a remake of Bobby Day's "Rockin' Robin". The Jackson 5's sales, however, began declining in 1973, and the band members chafed under Motown's strict refusal to allow them creative control or input. Although the group scored several top 40 hits, including the top five disco single "Dancing Machine" and the top 20 hit "I Am Love", The Jackson 5 (minus Jermaine Jackson) left Motown in 1975. The Jackson 5 signed a new contract with CBS Records in June 1975, first joining the Philadelphia International Records division and then Epic Records. As a result of legal proceedings, the group was renamed The Jacksons. After the name change, the band continued to tour internationally, releasing five more studio albums between 1976 and 1984; their self-titled eleventh album, Goin' Places, Destiny, Triumph, and Victory, as well as a live concert album in 1981. During that period, Michael was not only the lead singer, but also the chief songwriter for the group, writing or co-writing such hits as "Shake Your Body (Down to the Ground)", "This Place Hotel" and "Can You Feel It".

In 1978, Jackson starred as Scarecrow in the film musical The Wiz. The musical scores were arranged by Quincy Jones, who formed a partnership with Jackson during the film's production and agreed to produce the singer's solo album Off the Wall. Jackson was dedicated to the role, and watched videotapes of gazelles, cheetahs and panthers in order to learn graceful movements for his part. Jones recalled working with Jackson as one of his favorite experiences from The Wiz, and spoke of Jackson's dedication to his role, comparing his acting style to Sammy Davis, Jr. Critics panned The Wiz upon its October 1978 release, but Jackson's performance as the Scarecrow was one of the only positively reviewed elements of the film, with critics noting that Jackson possessed "genuine acting talent" and "provided the only genuinely memorable moments." Of the results of the film, Jackson stated: "I don't think it could have been any better, I really don't". In 1980, Jackson stated that his time working on The Wiz was "my greatest experience so far...I'll never forget that".

When Jackson began the Off the Wall project he was not sure what he wanted as the final result; however, he did not want another record that sounded like The Jacksons, but rather he wanted more creative freedom, something he had not been allowed on prior albums. Jackson's father Joseph also approved of the project and allowed him to record it on the condition that it didn't interfere with group business. Despite his brothers' desire to work with him, Jackson wanted to make the album independently of his family. Nevertheless, his brother Randy still contributed percussion to "Don't Stop 'Til You Get Enough".

Jones produced "Off the Wall", with co-production credit given to Jackson on the songs he wrote for the album. Songwriters included Jackson, Heatwave's Rod Temperton, Stevie Wonder and Paul McCartney. All sessions took place at Los Angeles County-based recording studios. Rhythm tracks and vocals were recorded at Allen Zentz Recording, the horn section's contributions took place at Westlake Audio, and string instrumentation was recorded at Cherokee Studios in West Hollywood. Following the initial sessions, audio mixing was handled by Grammy-winning engineer Bruce Swedien at Westlake Audio, after which the original tapes went to the A&M Recording Studio, also located in L.A., for mastering. Swedien would later mix the recording sessions for Jackson's next album and his most well-known work, 1982's Thriller. Jones recalled that, at first, he found Jackson to be very introverted, shy and non-assertive.

"She's Out of My Life" had been written for Jones by Tom Bahler three years earlier. Jackson heard and enjoyed it, and Jones allowed him to use it on the record. Jones called in Heatwave's keyboardist Rod Temperton to write three songs. The intention was for Jackson and Jones to select one of his songs, but Jackson, liking them all, included all of them in the final cut. Jackson stayed up all night to learn the lyrics to these songs instead of singing from a sheet. He finished the vocals to these three Temperton songs in two recording sessions. Temperton took a different approach to his song writing after spending some time researching the background to Jackson's music style. Temperton mixed his traditional harmony segments with the idea of adding shorter note melodies to suit Jackson's aggressive style. Jackson wrote "Don't Stop 'Til You Get Enough" after humming a melody in his kitchen. After listening to hundreds of songs, Jackson and Jones decided upon a batch to record. In hindsight, Jones believed they took a lot of risks in the production of Off the Wall and the final choice of album tracks. Attention was also paid to the album cover, which shows Jackson smiling, wearing a tuxedo and trademark socks. His manager stated, "The tuxedo was the overall plan for the Off the Wall project and package. The tuxedo was our idea, the socks were Michael'".

On October 16, 2001, a special edition reissue of Off the Wall was released by Sony Records. It was re-released again on February 26, 2016. The material found strong praise from critics more than 20 years after the original release. AllMusic gave the record a five star review, praising the record's disco-tinged funk and mainstream pop blend, along with Jackson's songwriting and Jones' crafty production. The publication believed, "[Off the Wall] is an enormously fresh record, one that remains vibrant and giddily exciting years after its release".

In recent years Blender gave the record a full five star review stating that it was, "A blockbuster party LP that looked beyond funk to the future of dance music, and beyond soul ballads to the future of heart-tuggers—in fact, beyond R&B to color-blind pop. Hence, the forgivable Wings cover".

In 2003, the album was ranked number 68 on Rolling Stone magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list. The National Association of Recording Merchandisers listed it at number 80 of the Definitive 200 Albums of All Time. In 2004, Nelson George wrote of Jackson and his music, "the argument for his greatness in the recording studio begins with his arrangements of "Don't Stop 'Til You Get Enough". The layers of percussion and the stacks of backing vocals, both artfully choreographed to create drama and ecstasy on the dance floor, still rock parties in the 21st century". In 2008, Off the Wall was inducted into the Grammy Hall of Fame.

On January 7, 2016, Sony Music and The Estate of Michael Jackson announced that Off the Wall would be reissued and packaged with a new documentary directed by Spike Lee entitled Michael Jackson's Journey from Motown to Off the Wall. The reissue and documentary were both released on February 26, 2016. Recent reviews by AllMusic and Blender have continued to praise Off the Wall for its appeal in the 21st century.

In August 2018, on the occasion of what would have been Jackson's 60th birthday, Entertainment Weekly reevaluated the album, giving it a score of A−, saying that the album was Jackson's first musical statement as an adult, that it was "a featherweight rapture of disco-flecked R&B" containing dance-floor favorites and some lesser songs.

Track list:
  1. «Don't Stop 'Til You Get Enough» Michael Jackson 6:05
  2. «Rock with You» Rod Temperton 3:40
  3. «Workin' Day and Night» Michael Jackson 5:14
  4. «Get on the Floor» Michael Jackson, Louis Johnson 4:39
  5. «Off the Wall» Rod Temperton 4:05
  6. «Girlfriend» Paul McCartney 3:05
  7. «She's Out of My Life» Tom Bahler 3:37
  8. «I Can't Help It» Stevie Wonder, Susaye Greene 4:29
  9. «It's the Falling in Love» Carole Bayer Sager, David Foster 3:48
  10. «Burn This Disco Out» Rod Temperton 3:41
2001 Special Edition
  1. «Quincy Jones Interview #1» 0:37
  2. «Introduction to Don't Stop 'Til You Get Enough Demo» 0:13
  3. «Don't Stop 'Til You Get Enough (Original Demo from 1978)» Michael Jackson 4:48
  4. «Quincy Jones Interview #2» 0:30
  5. «Introduction to Workin' Day and Night Demo» 0:10
  6. «Workin' Day and Night (Original Demo from 1978)» Michael Jackson 4:19
  7. «Quincy Jones Interview #3» 0:48
  8. «Rod Temperton Interview» 4:57
  9. «Quincy Jones Interview #4» 1:32