lunes, 19 de febrero de 2018

Marillion "Anoraknophobia"

Anoraknophobia is the 12th studio album, and 19th overall, by the British rock band Marillion, released in 2001. It is regarded as the first instance of a music recording completely financed by fans in a then-unique fundraising campaign, as more than 12,500 copies were pre-ordered before the album was even recorded.

In an attempt to depart from their neo-progressive rock past for a contemporary sound, Marillion introduced elements of rap, groove, funk, trip hop, blues, jazz and dub. Although the album received several favourable reviews, it was not a significant commercial success, and its sole single, "Between You and Me", did not chart. The group supported Anoraknophobia with a six-month European tour.

In February 1997, when Marillion prepared for a European tour in support of their ninth studio album, This Strange Engine, Mark Kelly announced on the Internet that the group would not visit North America due to insufficient support from their American record label, Red Ant. Then, devoted fans launched a fundraising drive and raised $50,000 to help their favourite band cross the Atlantic. Alliance Entertainment, Red Ant's parent company, filed for bankruptcy in July and tried to sell the label. As a result, an additional $15,000 (money that would have come from Red Ant) was raised for a 21-date North American tour, the band's largest since 1991. The whole idea, known as crowdfunding, was conceived and realised by fans without any involvement from the band, and although music lovers had always backed their favorite performers in various ways, such a successful Internet campaign was unprecedented.

After releasing marillion.com in October 1999, Marillion had completed a three-album contract with Castle Communications. Although a number of independent labels were interested in signing the band, its members wanted to have total control of their music and still be able to use distribution facilities of a major record company. This could only be achieved if the money to create an album was obtained from a different source, and Marillion found an unusual solution, crowdfunding.

As they had already learnt of the dedication of the fanbase which had underwritten the North American tour, the band sent e-mails to over 30,000 people who subscribed to their website, asking whether they would buy an unrecorded album. Within two days there were around 6,000 positive replies; ultimately, 12,674 copies were pre-ordered. The process raised more than £150,000 (£228,000 in 2015 pounds), more than an advance the band might have received from an ordinary record contract. A worldwide marketing and distribution deal was concluded with EMI, and the album would be released for retail by their Liberty Records imprint.

This innovative pre-order venture was unexpectedly successful. Anoraknophobia is claimed by Marillion to have been the first crowdfunded album in the music industry.

Anoraknophobia was written, recorded and mixed at the Marillion's own Racket Club studio in Buckinghamshire, England, for the whole of 2000 and early 2001. To work on the album, the band chose Dave Meegan who had previously been an assistant engineer on Fugazi (1984) and had produced their last two recordings with EMI, Brave (1994) and Afraid of Sunlight (1995). Stewart Every assisted at mixing of the album.[citation needed]

Bassist Pete Trewavas, said the band had not had any tracks left over from previous sessions which could have been used, so the entire album was written "from scratch". Since they had been unfashionable in the eyes of the media and had been largely ignored by the music press, Marillion deliberately attempted to create a modern sound and distance themselves further from their neo-progressive rock past. In an interview with the BBC, Hogarth spoke about the band's new musical direction and the album's diverse influences: "With this album there's been a massive invasion of black influence–there's rap, there's groove, there's funk, there's trip hop, blues, jazz, dub." Thus, the songs "Between You and Me" and "Map of the World" have drawn comparisons to U2, while the nine-minute "Quartz", which contains a rap section, has been compared to the sound of Massive Attack.

All the samples in "Separated Out" were taken from Tod Browning's horror film Freaks (1932). The line "Freaks!... Freaks!... Freaks!" at the ending of the track was used as a reference to Marillion's fans who sometimes refer to themselves as "freaks" after a Fish-era B-side. The phrase "She was only dreaming" in the song "If My Heart Were a Ball It Would Roll Uphill" is a sample from "Chelsea Monday".

According to Hogarth, the title, nominally a play on the word "arachnophobia", or fear of spiders, means no fear of anoraks ("anorak no phobia"), referring to the long-running in-joke that Marillion fans are also sometimes called anoraks. The artwork for Anoraknophobia as well as some other related music releases and press materials feature cartoon graphics of a boy named Barry who wears a rain parka. Inside the liner notes for the pre-order edition of the album, there is a photograph of each of the band members posed in a similar manner and standing near a telephone box.

Track listing
All lyrics are written by Steve Hogarth, except "Map of the World" by Hogarth and Nick Van Eede; all music is composed by Marillion.
  1. "Between You and Me" 6:27
  2. "Quartz" 9:08
  3. "Map of the World" 5:01
  4. "When I Meet God" 9:16
  5. "The Fruit of the Wild Rose" 6:58
  6. "Separated Out" 6:15
  7. "This Is the 21st Century" 11:05
  8. "If My Heart Were a Ball It Would Roll Uphill" 9:30
Total length: 63:31






















Marillion "Ahoy Rotterdam, Netherlands 1995-09-29"

Originally recorded to multi-track tape, and used partially on the official live release, Made Again, this FRC release features the entire show. 

It features a rare performance of 'White Russian' plus the AOS B-Side 'Icon' as an intro to 'Beautiful'. 

Due to the 2-hour time limitation of the source DAT, the final encore 'Garden Party' is unavailable, and not included. All speaking between songs is included.
credits. Released June 10, 2016



Marillion "Brave"

Brave is the seventh studio album by Marillion, released in 1994. It charted at number 10 on the UK Albums Chart, being the last of the band's albums to reach the Top 10 in the United Kingdom until F E A R reached number 4 in 2016.

Raw ranked Brave as one of the 20 greatest albums of 1994. In 2000 it was selected by Classic Rock as one of the "30 Best Albums of the 90s", and in 2003 as one of "Rock's 30 Greatest Concept Albums".

After trying and failing to reach a wider audience with Holidays in Eden, Marillion figured it was time to go back to their roots and make a more progressive rock-oriented album again. Brave is a concept album, based on a news story Steve Hogarth heard on the radio about a girl who was taken into police custody after being found wandering the Severn Bridge. She did not know who she was, where she came from and refused to even speak. This inspired Hogarth to write a fictional story about this girl and what might have led to her being on the Severn Bridge in this state.

The band relocated to Marouatte castle in France for the duration of the recording of Brave. The influence of these surroundings can be heard throughout the album in a lot of haunting atmospherics. They even went into a cave which lay in the nearby area and taped some cave sounds which were used as background ambiance on the album. This recording concept was later used by Radiohead for their OK Computer album. As engineer, they recruited Dave Meegan, who had previously worked with Marillion on Fugazi. As for EMI, they really wanted the band to do a 'quick record' to gain some revenue, but this project progressively escalated, taking the band nine months to write and produce, partly because of Meegan who would go through 'every single new tape made every day' each night listening for any riff or melody which sounded good enough to be included in the songs. This hard and tedious work paid off in the end.

Three singles from the album were released: "The Great Escape" (February 1994), "The Hollow Man" (March 1994) and "Alone Again in the Lap of Luxury" (April 1994).

The double-LP vinyl release of Brave features a double groove on the final side of the album, providing two endings to the story of this concept album. The first groove plays "The Great Escape" as heard on the CD, followed by "Made Again", providing the happy ending; the second groove plays "The Great Escape (Spiral Remake)" and 7 minutes of water noise, providing the downer ending. "The Great Escape (Spiral Remake)" was later included as a bonus track on the remastered re-issue, along with one minute of the water noise.


Richard Stanley directed a 50-minute film version of Brave which was released one year after the album. This film takes the downer ending presented by the second double groove.

The album was originally released on Cassette, double-vinyl LP and CD. In 1998, as part of a series of Marillion's first eight studio albums, EMI re-released Brave with remastered sound and a second disc containing bonus material, listed above. The remastered edition was later also made available without the bonus disc.

A new 180 gram vinyl pressing was released in May 2013 by EMI. It was identical to the original vinyl release from 1994, and included the double-grooved Side 4.


Brave will be released as part of the second in a series of deluxe box set editions of the 8 albums the band made for EMI between 1982-1995. It will be available in 4CD/Blu-Ray and 5LP vinyl box set form, both issued by Parlophone / RHINO on 9th March. The CD/BD version includes both the original stereo mix, my new stereo and 5.1 mixes, and a complete live performance from Paris in April 1994 newly mixed by Michael Hunter. The vinyl set includes the new stereo mix and the Paris show recording. The re-mix was done by Steve Wilson who is a good friend of the band.
























Marillion "Live In Caracas"

The second Racket Records release, recorded 30 September and 1 October 1992 in Caracas, Venezuela.

Original stock was sold out by 1995, but a new pressing was issued in 1997 with slightly different artwork (the original artwork was lost!) when Racket Records began selling CDs online.








Marillion "A Singles Collection 1982-1992 : Six of One, Half-Dozen of the Other"

A Singles Collection (released as Six of One, Half-Dozen of the Other in the U.S.) is a compilation album of Marillion singles from both the Fish era and the Steve Hogarth era, celebrating the band's ten year jubilee (taking 1982, when their debut single was released, as the starting point). It includes the band's six most successful singles of the Fish era, plus all six Steve Hogarth singles up to that year. The tracks on it are not ordered chronologically, unlike on the later compilations The Best of Both Worlds (1997) and The Best of Marillion (2003) that likewise cover both vocalists' eras. Additionally, it contains two new recordings with Hogarth on vocals, "I Will Walk On Water" and a cover version of the Rare Bird song "Sympathy". This was also released as a single, which peaked at no. 16 in the UK Singles Chart (May 1992), making it the band's highest charting single between 1987 and 2004. In August 1992, "No One Can", a re-packaged version of the August 1991 single from Holidays in Eden, was released as the second single, peaking at no. 26 (original version no. 33).

Track listing 
  1. "Cover My Eyes (Pain & Heaven)" 
  2. "Kayleigh" 
  3. "Easter" 
  4. "Warm Wet Circles" 
  5. "Uninvited Guest" 
  6. "Assassing" (Alternate Mix) 
  7. "Hooks In You" 
  8. "Garden Party" 
  9. "No One Can" 
  10. "Incommunicado" 
  11. "Dry Land" 
  12. "Lavender" 
  13. "I Will Walk On Water" 
  14. "Sympathy"










Marillion "Holidays In Eden"

Holidays in Eden is the sixth studio album by the British neo-progressive rock band Marillion, released in 1991. Recorded at Hook End Manor in Oxfordshire and Westside Studios in London, it was the band's second album with vocalist Steve Hogarth and the first completely written without previous lead singer Fish.

Partly due to producer Christopher Neil, many of the songs feature a mainstream pop rock sound as opposed to progressive rock of previous works, and Hogarth has described Holidays in Eden as "Marillion's 'pop'est album ever". It reached number 7 in the UK Albums Chart.

As with the previous release, Seasons End, the cover art was designed by Bill Smith Studio using a monochromatic painting by illustrator Sarah Ball showing various stylised animals, a tree with a snake around it at the centre, and dominated by a darkish blue colour for the front cover. Holidays in Eden was Marillion's first album not to feature their original logo in any recognisable form, using the band name in a normal typeface instead.

Holidays in Eden was released in Europe on 24 June 1991 by EMI Records on CD, LP and cassette. It peaked at number 7 in the UK, spending 7 weeks in the charts, and became Marillion's first studio album not to gain any sales certification. The album reached number 7 in the Netherlands and number 10 in Germany.

In the U.S., Holidays in Eden was issued on 25 February 1992 by the I.R.S. Records label on CD and cassette. The American edition featured two new tracks, "A Collection" and "How Can It Hurt", which were the B-sides of the original "No One Can" and "Cover My Eyes (Pain and Heaven)" singles, respectively. In addition, the track order was rearranged and the title for "No One Can" was lengthened by adding "… Take You Away from Me". Finally, slightly different cover art was used, featuring the original cover overlaid with the new "MAR" "ILL" "ION" logo and the album title in the middle left of the cover in a straight line, rather than the original circle around the moon at the centre top.

As part of a series of Marillion's first eight studio albums, EMI Records re-released Holidays in Eden on 23 February 1998 with 24-bit digital remastered sound and a second disc containing bonus tracks. A new 180g heavy weight vinyl pressing identical to the original 1991 edition was released in 2012.


Three singles, "Cover My Eyes (Pain and Heaven)", "No One Can" and "Dry Land" were released, with the first preceding the album. "Cover My Eyes (Pain and Heaven)" was a re-write of Hogarth's earlier band How We Live's song "Simon's Car". "Dry Land" had previously been the title track of How We Live's only album released in 1987. Each of the three singles were minor hits in the UK attaining Top 40 spots.