"Here Comes the Rain Again" is a 1984 song by British duo Eurythmics. It was written by group members Annie Lennox and David A. Stewart and produced by Stewart. The song was released on 12 January 1984 as the third single in the UK from the album Touch and in the United States as the first single. It became Eurythmics' second Top 10 U.S. hit, peaking at number 4 on the Billboard Hot 100. "Here Comes the Rain Again" hit number eight in the UK Singles Chart, becoming their fifth consecutive Top 10 single in that country. Stewart explained to Songfacts that creating a melancholy mood in his songs is something at which he excels. He said: "'Here Comes the Rain Again' is kind of a perfect one where it has a mixture of things, because I'm playing a b-minor, but then I change it to put a b-natural (sic – the song is in A minor) in, and so it kind of feels like that minor is suspended, or major. So it's kind of a weird course. And of course that starts the whole song, and the whole song was about that undecided thing, like here comes depression, or here comes that downward spiral. But then it goes, 'so talk to me like lovers do.' It's the wandering in and out of melancholy, a dark beauty that sort of is like the rose that's when it's darkest unfolding and bloodred just before the garden, dies. And capturing that in kind of oblique statements and sentiments." The string arrangements by Michael Kamen were performed by members of the British Philharmonic Orchestra. However, due to the limited space in the studio, the Church, the players had to improvise by recording their parts in other parts of the studio. The song was then mixed by blending the orchestral tracks on top of the original synthesized backing track. During Eurythmics reunion "Peacetour" they performed an in-studio concert for the A&E Network in the U.S. Dave Stewart revealed that the lyrics to the song came into being after an argument between him and Lennox while they were doing some songwriting in New York City's Columbus Hotel. The basic melody had already been written and Lennox looked out the window after their fight and noticed it was starting to rain. She announced, "Here comes the rain again." The running time for "Here Comes the Rain Again" is in actuality about five minutes long and was edited on the Touch album (fading out at approximately four-and-a-half minutes). Although it was edited even further for its single and video release, many U.S. radio stations played the full-length version of it. The entire five-minute version did not appear on any Eurythmics album until the U.S. edition of Greatest Hits in 1991.
In the UK, the single became Eurythmics' fifth Top 10 hit, peaking at #8. It was the duo's second top ten hit in the United States, peaking at #4 in March 1984. The music video, featuring both Annie Lennox and Dave Stewart, was directed by Stewart, Jonathan Gershfield and Jon Roseman, and released in December 1983, a month before the single came out. The video opens with a passing aerial shot of the Old Man of Hoy on the Island of Hoy in the Orkney Islands before transitioning to Lennox walking along the rocky shore and cliff top. She later explores a derelict cottage while wearing a nightgown and holding a lantern. Stewart stalks her with a video camera. In many scenes the two are filmed separately, then superimposed into the same frame. The result is that the viewer may perceive one as being a ghost in the world of the other.
"Sweet Dreams (Are Made of This)" is a song written and performed by the British new wave music duo Eurythmics. The song is the title track of their album of the same name and was released as the fourth and final single from the album in early 1983. The song became their breakthrough hit, establishing the duo worldwide. Its music video helped to propel the song to number 2 on the UK Singles Chart and number 1 on the US Billboard Hot 100. It was the first single released by Eurythmics in the US. "Sweet Dreams (Are Made of This)" is arguably Eurythmics' signature song. Following its success, their previous single, "Love Is a Stranger", was re-released and also became a worldwide hit. On Rolling Stone's The 500 Greatest Songs of All Time issue in 2003, "Sweet Dreams (Are Made of This)" was ranked number 356.[3] Eurythmics has regularly performed the song in all their live sets since 1982, and it is often performed by Lennox on her solo tours. In 1991, the song was remixed and reissued to promote Eurythmics' Greatest Hits album. It re-charted in the UK, reaching number 48, and was also a moderate hit in dance clubs. Another remix by Steve Angello was released in France in 2006, along with the track "I've Got a Life" (peaking at number 10). Annie Lennox and Dave Stewart wrote the song after The Tourists had broken up and they formed Eurythmics. Although the two of them also broke up as a couple, they continued to work together. They became interested in electronic music, bought new synthesisers and started playing on it. According to Stewart, he managed to produce the beat and riff of the song on a synthesiser, and Lennox, on hearing it, said: "What the hell is that?" and started playing on another synthesiser, and beginnings of the song came out of the two duelling synths. According to Lennox, the lyrics reflected the unhappy time after the break up of The Tourists, when she felt that they were "in a dream world", and that whatever they were chasing was never going to happen. She said: ""Sweet dreams are made of this" is basically me saying: "Look at the state of us. How can it get worse? I was feeling very vulnerable. The song was an expression of how I felt: hopeless and nihilistic." Stewart however thought the lyrics too depressing, and added the "hold your head up, moving on" line to make it more uplifting.
Lennox also said that people had misinterpreted lines like "Some of them want to use you … some of them want to be abused" to be about sex or S&M when that was not the intent. The original recording's main instrumentation featured a sequenced analog synthesizer riff, which Stewart accidentally discovered in the studio when he played a bass track backward. Apart from the synthesizer, the arrangement also uses a Movement Systems Drum Computer, a piano in the middle eight, and Lennox's multitracked harmony vocals.
According to Stewart, the record company did not think the song to be suitable as a single as it lacks a chorus, and did not want to release it as a single. However, when a radio DJ in Cleveland kept playing the song from the album and it received a strongly positive audience reaction, the label then decided to release it. "Sweet Dreams" was Eurythmics' commercial breakthrough in the United Kingdom and all over the world. The single entered the UK chart at number 63 in February 1983 and reached number two the following month.
"Sweet Dreams" was the first ever single release by Eurythmics in the United States when it was released in May 1983. The single debuted at number 90 and slowly eased up the chart. By August, the single had reached number two and stayed there for four weeks, kept from the top by The Police's "Every Breath You Take" before "Sweet Dreams" took the number one spot. The music video for "Sweet Dreams" was directed by Chris Ashbrook and filmed in January 1983, shortly before the single and the album was released. The video received heavy airplay on the then-fledgling MTV channel and is widely considered a classic clip from the early-MTV era. The music video begins with a fist (presumably Stewart's) pounding on a table, with the camera panning up to reveal Lennox in a boardroom, with images of a Saturn V launch projected on a screen behind her, which are later replaced by a shot of a crowd walking down a street. Stewart is shown typing on a computer (actually an MCS drum computer). The camera cuts to Lennox and Stewart meditating on the table. Stewart is next shown playing a cello in a field. The scene then returns to the boardroom, with Lennox and Stewart lying down on the table, and a cow walking around them. Stewart is shown again typing on the computer, with the cow chewing something right next to him. The scene cuts to the duo in a field, with a herd of cows, and Stewart still typing. Lennox and Stewart are then seen floating in a boat, with Stewart again playing a cello. The video ends with Lennox lying in bed, with the last shot being a book on a nightstand bearing a cover identical to the album. The screen then fades to black as Lennox turns off the bedside lamp. The video has more than 210 million views on YouTube as of May, 2018. Lennox's androgynous visual image, with close-cropped, orange-coloured hair, and attired in a man's suit brandishing a cane, immediately made her a household name. Her gender-bending image would be further explored in other Eurythmics videos such as "Love Is a Stranger" and "Who's That Girl?".
A second video was also produced, featuring Lennox and Stewart on a train. A close-up shot of Lennox's lips is occasionally seen in the train car's window as she sings the song.
Slowhand is the fifth solo album by Eric Clapton. Released on 25 November 1977 by RSO Records, and titled after Clapton's nickname, it is one of his commercially and critically most successful studio albums. Slowhand produced the two hit singles "Lay Down Sally" and "Wonderful Tonight", reached various international music charts and was honored with numerous awards and recording certifications. In 2012, a deluxe edition was released to celebrate the album's 35th anniversary. Clapton wanted to work with record producer Glyn Johns, because he thought Johns produced great work with famous groups like the Rolling Stones and Eagles and understood how to work with both British and American musicians. While in the studio with Johns, Clapton noted that the A-list producer was very disciplined and disliked jamming, because it would kill important recording time. Although Clapton and his band were intoxicated nearly all the time when recording, Johns liked Clapton's work and brought out the best in every musician, according to Clapton. The album was titled after Clapton's nickname, which was given to him by Giorgio Gomelsky. In his 2007 autobiography, Clapton recalled that the name "Slowhand" seemed to be hanging on to his real name, because it seemed to be well received by both his American friends and fans who think of the Wild West when hearing the nickname. The album's artwork was done by Clapton himself with the help of Pattie Boyd and Dave Stewart, credited as "El & Nell Ink". Besides choosing various photos for the inner side of the gramophone record packaging are two pictures, Clapton notes, which have deeper importance to him: one picture, in which he kisses Boyd and another photograph showing a demolished Ferrari 365 GT4 BB, which Clapton bought after seeing George Harrison turning up with the same model at his Hurtwood Edge Estate. The car, which had been involved with Clapton in a car accident after the British recording artist finished touring in Australia, nearly killed him. The rock song "Cocaine" was censored and removed from the Argentinian edition of the album in late 1977. The military government of the time claimed that the song Clapton recorded was harmful to young people and inviting them to get high. The ban was finally lifted in 1984. Clapton later said that it is useless to intentionally write an anti-drug song like "Cocaine" and hope that people grasp the meaning. After several years, Clapton began including the phrase 'that dirty cocaine' in live performances to highlight the anti-drug message of the song. In addition, Clapton donated much of their funds to Crossroads Centre, a center that helps drug addicts kick their habit and rehabilitate themselves. In November 2012, a remastered two-compact-disc 35th anniversary deluxe edition of Slowhand was released. The first disc consists of the remastered album, with additional bonus tracks and studio jam sessions. The second disc features a previously unreleased live concert, recorded in April 1977 at the Hammersmith Odeon; although the concert is of the same era as the Slowhand sessions, it was performed prior to the album's recording and release, and so does not include any of the album's tracks.
The Big Picture is the twenty-fifth studio album by British singer-songwriter Elton John, released in 1997. It includes four worldwide singles: "Live Like Horses" (a duet with Luciano Pavarotti only for the single version), "Something About the Way You Look Tonight" (released as a double A-side with "Candle in the Wind 1997"), "Recover Your Soul" and "If the River Can Bend". The album has a strong orchestral emphasis with string arrangements written by Anne Dudley and John's then backup keyboardist Guy Babylon. In 2006, John revealed in an interview that Bernie Taupin, his longtime friend and lyricist, considers this his least favourite album they have created, while John believes that to be Leather Jackets from 1986. Taupin dislikes this album because of the overall quality of his lyrical contribution and because "the production is abysmally cold and technical".
The album was dedicated to John's friend, popular fashion designer Gianni Versace, who was murdered a few months before the album's release. This was the last album to date to be produced by Chris Thomas, who had worked with John almost nonstop since 1981's The Fox. This is the only album in which neither Davey Johnstone nor bassist Bob Birch (during his tenure as John's bassist from 1992–2012) provide backing vocals. Drummer Charlie Morgan was let go from the band shortly after the album's release and soon replaced by Curt Bisquera and John's old drummer Nigel Olsson, who remains in the lineup to this day.
Made in England is the twenty-fourth studio album by English singer-songwriter Elton John, released in 1995 and produced by him and Greg Penny, the first time since Leather Jackets without Chris Thomas. It was dedicated to John's boyfriend and future civil partner David Furnish. It was also dedicated to the memory of Denis Gauthier and Peter Williams. It was the last album to feature regular percussionist Ray Cooper until 2016's Wonderful Crazy Night. Bob Birch became John's full-time recording and touring bass player and continued that role until his death in 2012. The song "Please" was covered by bluegrass queen Rhonda Vincent and country legend Dolly Parton for the 2018 tribute album Restoration: Reimagining the Songs of Elton John and Bernie Taupin. While still promoting his work for The Lion King soundtrack, in September 1994, five months before its release as a single, Elton John debuted "Believe" during the opening night of a concert tour with Ray Cooper in Phoenix, AZ. "Believe" reached No. 15 in the UK and No. 13 in the US, and was the only American hit from the album to reach the top 20. During November, John toured Brazil, Argentina, Chile, Peru, Switzerland, Poland, France, Italy, the UK, and Japan, and other countries two months later. Several songs from the album made it to the tour's playlist, including "Believe", "Made in England", "Blessed", "Lies" and "Pain".
A few special notes about some of the songs: on "Belfast", the song originally ended simply with John singing the last line, "Belfast". In an interview with fan magazine East End Lights some time later, arranger Paul Buckmaster (in his first project with John since 1978's A Single Man) said he thought the song needed a more uplifting end, and added the outro, making it sound as if it were being played in an Irish pub somewhere up the road. John reportedly was initially wary of the idea, but Buckmaster said he changed his mind upon hearing it and approved the new coda for the final version; George Martin, who owned AIR Studios London where the album was recorded, wrote the horn and string arrangement on "Latitude"; and John and Guy Babylon are credited as arrangers on "Man", which also includes organ by Squeeze and Mike + The Mechanics frontman Paul Carrack.
