Midnight Oil "20,000 Watt R.S.L."

20,000 Watt R.S.L. is a compilation album by Australian rock band Midnight Oil released in October 1997 on their own label Sprint Music. The word "Collection" appears on the front of the CD along the hinge in the same type face as the title and the name of the band and may have been intended as part of the album's title; however, it does not appear on the spine. The release has also been distributed inside a cardboard sleeve which adds "Midnight Oil: The Hits" to the album art, distinguishing it as a compilation album.

The compilation covers the majority of Midnight Oil's career, starting with their 1979 album Head Injuries, and includes tracks from all their major studio releases (and one EP), even including two songs from the forthcoming Redneck Wonderland album, which was released after this compilation in 1998. The liner notes contain an essay on the band by Australian author Tim Winton.

The album peaked at #1 on the Australian Recording Industry Association (ARIA) album charts, and achieved 5×Platinum sales, it also peaked at #18 in New Zealand.

Midnight Oil was an Australian rock band from Sydney formed in 1976 with vocalist Peter Garrett, drummer Rob Hirst, bass guitarist Andrew James and keyboardist/lead guitarist Jim Moginie, Guitarist Martin Rotsey joined in 1977 and Midnight Oil established their own record label Powderworks, they released their second album Head Injuries on this label in October 1979. Founding bass guitarist James left due to illness in 1980, he was replaced by Peter Gifford, Gifford was himself replaced by Bones Hillman in 1987.


Australian Top Ten singles were "Power and the Passion", "The Dead Heart", "Beds Are Burning" and "Blue Sky Mine". Aside from chart success both "Power and the Passion" and "Beds Are Burning" were listed by Australasian Performing Right Association (APRA) in the Top 30 best Australian songs of all time in 2001. Through a long and distinguished career, the band became known for its driving hard-rock sound, intense live performances and political activism, particularly in aid of anti-nuclear, environmentalist and indigenous causes.

Tracks 1 and 4 are taken from Redneck Wonderland (1998).
Tracks 2 and 8 are taken from 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 (1982).
Tracks 3, 6, and 9 are taken from Diesel and Dust (1987).
Tracks 5 and 11 are taken from Red Sails in the Sunset (1984).
Tracks 7, 10, 13, and 18 are taken from Blue Sky Mining (1990).
Track 12 is taken from Earth and Sun and Moon (1993).
Track 14 is taken from Species Deceases (1985).
Track 15 is taken from Breathe (1996).
Track 16 is taken from Head Injuries (1979).

Track 17 is taken from Place without a Postcard (1981).