Don Henley "The Boys Of Summer (Single & Video)"

"The Boys of Summer" is a song by the American musician Don Henley. The lyrics were written by Henley and the music was composed by Mike Campbell of Tom Petty and the Heartbreakers. It was released on October 26, 1984, as the lead single from Henley's album Building the Perfect Beast.  It reached number five on the Billboard Hot 100 chart in the US, number one on the Billboard Top Rock Tracks chart, and number 12 in the UK Singles Chart.

The music video won several awards. "The Boys of Summer" was also performed live by Henley with the reunited Eagles; a version is included on the group's 2005 DVD Farewell 1 Tour: Live from Melbourne.

Mike Campbell, the guitarist for Tom Petty and the Heartbreakers, wrote a demo for "The Boys of Summer" while experimenting with a LinnDrum drum machine. He showed it to Tom Petty, but Petty felt it did not fit with the record they were working on, Southern Accents. At the suggestion of the producer Jimmy Iovine, Campbell played it for Don Henley, the vocalist and drummer for the Eagles, who wrote the lyrics and recorded the vocal. They re-recorded the song after Henley decided to change the key.

"The Boys of Summer" uses a repeating guitar riff. It was recorded in the key of F♯ major with a tempo of 88 beats per minute. Henley's vocals span F♯3 to A♯4.

The lyrics appear to be about the passing of youth and entering middle age, with the nostalgic theme of "summer love" and reminiscence of a past relationship. In a 1987 interview with Rolling Stone, Henley explained that the song is about aging and questioning the past—a recurring theme in Henley's lyrics (cf. "The End of the Innocence", and "Taking You Home".) In an interview with NME in 1985, Henley explained the '"Deadhead sticker on a Cadillac" lyric as an example of his generation selling out.

I was driving down the San Diego Freeway and got passed by a $21,000 Cadillac Seville, the status symbol of the right-wing upper-middle-class American bourgeoisie – all the guys with the blue blazers with the crests and the grey pants – and there was this Grateful Dead "Deadhead" bumper sticker on it!

The song's title is taken from Roger Kahn's 1972 book about the Brooklyn Dodgers, which was in turn taken from a Dylan Thomas poem

"The Boys of Summer" reached No. 5 on the Billboard Hot 100 and topped the Billboard Top Rock Tracks chart for five weeks. It was his most successful hit in the United Kingdom, reaching No. 12 on the UK Singles Chart. A re-release of the single in 1998 also reached No. 12.

Billboard called it "dance oriented pop swimming in synths and reverberating guitar."

In 1986, Henley won the Grammy Award for Best Male Rock Vocal Performance for the song. "The Boys of Summer" was ranked No. 416 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time. "The Boys of Summer" is included in The Pitchfork 500, Pitchfork Media's "Guide to the Greatest Songs from Punk to Present."

Tom Petty was astounded by the track's success. One day, he and Campbell were out on a car drive to listen to a mix of their song "Don't Come Around Here No More", but turned on the ignition and heard "The Boys of Summer". Campbell changed the station in case the song would upset Petty, but another station was also playing the song. Petty enjoyed listening to it and regretted initially turning it down.

The music video to "The Boys of Summer" is a French New Wave-influenced piece directed by Jean-Baptiste Mondino. Shot in black-and-white, it shows the main character of the song at three different stages of life (as a young boy, a young adult and middle-aged), in each case reminiscing about a past relationship. Interspersed with these scenes are segments of Henley singing the words of the song while riding in a pickup truck. The boy is dressed in a style typical of the 1950s, the teenage lovers are dressed in a style characteristic of the early 1960s while the middle-aged man is dressed in the style of the 1980s. As a boy in the 1950s, the protagonist practices playing the drums, suggesting musical aspirations; as a teenager in the 1960s, he walks down a beach with his girlfriend whom he kisses passionately; and as a middle-aged man in the 1980s, he appears to be an executive of some sort who is comfortable, but unhappy in life as he sits at his desk remembering his youth. The young boy in the video is played by a seven-year-old Josh Paul, while the girl is played by Audie England. Interspersed with these scenes are segments of Henley articulating the words of the song while driving in a convertible. At its conclusion, the video uses the post-modern concept of exposing its own workings, as with a wry expression Henley drives the car away from a rear projection screen.

The video won the Video of the Year at the 1985 MTV Video Music Awards (leading Henley to comment at the Awards the following year that he had won for "riding around in the back of a pickup"). It also won that year's awards for Best Direction, Best Art Direction, and Best Cinematography. The Best Direction award was presented to Mondino by Henley's then-former Eagles bandmate Glenn Frey.