Genesis is the twelfth studio album by the English rock band Genesis, released on 3 October 1983 on Charisma Records. The band decided on its title as each of the album's nine tracks were written as a group. The album cover depicts the shapes from a Shape-O, a children's toy made by Tupperware. For this reason, some fans refer to this album in conversation as Shapes. Mike Rutherford referred to this album as his favourite Genesis album. According to AllMusic, the album established that Genesis were "now primarily a pop band", although "art rock functions as coloring to the pop songs".
Genesis was a commercial success upon its release. The album reached No. 1 in the UK and No. 9 in the U.S., where it sold over 4 million copies. Five singles were released between 1983 and 1984, with "Mama" being the band's highest-charting single in the UK at number 4. In 2007, Genesis was reissued with a new stereo and 5.1 surround sound mix as part of the band's box set, Genesis 1983–1998.
In October 1982, the Genesis line-up of drummer/singer Phil Collins, keyboardist Tony Banks, and guitarist/bassist Mike Rutherford, with live drummer Chester Thompson and live guitarist Daryl Stuermer, wrapped their two-month tour of North America and Europe in support of the band's third live album, Three Sides Live. They had also performed a one off gig titled Six of the Best with original Genesis frontman and singer Peter Gabriel and former guitarist Steve Hackett to raise funds for Gabriel's world music festival WOMAD after it ran into financial trouble. Genesis then entered a period of inactivity, during which the band pursued their solo projects.
In the spring of 1983, the band reconvened at their studio, named The Farm in Chiddingfold, Surrey, to start work on a new studio album, their first since Abacab (1981). Genesis became their first album written, recorded, and mixed in its entirety at the studio room; previously they had to write in an adjoining space. Having the group work in their own space without the additional pressure of booking studio time and fees resulted in a more relaxed environment. They were joined by engineer Hugh Padgham, who had also worked on Abacab, but this time carried out production duties themselves with Geoff Callingham offering technical assistance. Rutherford recalled an initial period of slow and sluggish progress, but after a particularly productive session on the third day they had "two or three" songs worked out which increased their interest and excitement towards the album and in performing the new material on stage. Before the sessions began, the group considered the idea of Banks or Rutherford taking on a lead vocal on the album, but opted out as they had developed material with Collins's voice in mind. Banks said that he and Rutherford take a more prominent role in the backing vocals on Genesis than previous albums.
Banks explained the album was the result of the group's decision to "write an album and record it in one go, from start to finish". The group considered their strongest material had been put together collectively, so they decided to make an entire album in such a way as opposed to developing someone's pre-arranged ideas. Before, each member would contribute fully or partially arranged songs which restricted development or suggestions from the other members. This time tracks came about through jamming and improvisations in the studio that were recorded onto tape, ensuring the band remained unified and kept songs fresh. Banks noted that this made recording more exciting and spontaneous. This collaborative effort marked a return for Genesis crediting each member for writing the album as opposed to listing individual credits, which they had not done since The Lamb Lies Down on Broadway (1974).
The collaborative effort also had an influence on the album's title as the group were unable to come up with a suitable name, so they used Genesis to emphasise the fact that it was written collectively.
Genesis displays the group moving towards shorter, more straightforward, and radio friendly songs. Rutherford said that the band had gone as far as they could with their progressive and art rock direction that they had adopted since the early 1970s and wanted to write and record in a more relaxed approach as previously, the band were more driven to present what they had to offer. Banks considered the music, and overall sound of Genesis, something that the band had longed for many years prior, specifically its more aggressive edge. He described side one as the "main act", while side two has the "character pieces".
The main keyboards that Banks used on the album are the Prophet 10, Synclavier, an E-mu Emulator, a Yamaha CP-70 electric grand piano, and an ARP Quadra on "Mama". At one point on the album, a sample from the soundtrack to 2001: A Space Odyssey is used. Collins said: "You play a chord and a half of its going at half the speed and part at twice the speed, sounds beautiful". Collins plays on a Simmons electronic drum kit.
Genesis was released on 3 October 1983 and distributed by Charisma and Virgin Records in the United Kingdom and by Atlantic Records in the United States. It reached No. 1 on the UK Albums Chart for one week from 15 October 1983 during a fifty-one week stay on the chart, and re-entered the chart for a total of fifteen weeks between 1984 and 1987. The album peaked at No. 9 on the Billboard 200 during a forty-nine week stay. In the United Kingdom, the album reached Gold certification by the British Phonographic Industry on the day of release for shipment of 200,000 copies. In December 1983, the album reached Platinum certification and, in October 1987 reached double Platinum, the latter for selling 600,000 copies.
Four singles from the album were released between August 1983 and June 1984. A 12-inch single was released with longer versions of "Mama" and "It's Gonna Get Better", the edit for the latter containing an extra verse and chorus.
Genesis filmed promotional music videos for "Mama" and "Illegal Alien", both of which were filmed back to back on the same film set.
Track listing
All songs written by Genesis.
Side one
- "Mama" 6:52
- "That's All" 4:25
- "Home by the Sea" 5:08
- "Second Home by the Sea" 6:06
Side two
- "Illegal Alien" 5:17
- "Taking It All Too Hard" 3:58
- "Just a Job to Do" 4:47
- "Silver Rainbow" 4:31
- "It's Gonna Get Better" 5:14
Total length: 45:33
"It's Gonna Get Better" contains a sample of the opening cello part of a ballet suite written by Aram Khachaturian.
Genesis – production
Hugh Padgham – production, engineer
Geoff Callingham – technical assistance
Tony Smith – manager
Geoff Banks, Steve Jones, Dale and Clair Newman, Andy Mackrill, Jo Greenwood and all at Hit & Run Music – Without whom department
Bill Smith – sleeve design
Chris Peyton – sleeve adaptation (for The Redroom)
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