sábado, 23 de agosto de 2025

Nik Kershaw "Wouldn't It Be Good (Germany 12'' Single & Video)"

"Wouldn't It Be Good" is a song by the English singer-songwriter Nik Kershaw, released on 20 January 1984 as the second single from his debut studio album, Human Racing (1984). The release was Kershaw's second single, with the non-album track "Monkey Business" as its B-side; it was a bonus track on the 2012 re-release of the album. The music video was directed by Storm Thorgerson.

"Wouldn't It Be Good" was the second single from Kershaw's debut studio album Human Racing (1984). It spent three weeks at No. 4 on the UK Singles Chart and was successful throughout Europe, as well as a top-10 entry in Canada and Australia. Kershaw is also most closely associated with this song in the United States, where it narrowly missed the top 40. Kershaw performed it at Live Aid in London's Wembley Stadium in July 1985.

Kershaw's first single from this album had failed to be a major hit, and it was on the strength of this recording's success that the earlier single, "I Won't Let the Sun Go Down on Me", was promoted for a re-release. This time the single went all the way to No. 2 in the UK, becoming his highest-charting single there to date.

Kershaw remembers that this was one of the last songs he wrote for the Human Racing album, mapping out the chords first on a keyboard. However, the aggressive guitar sound he wanted led to a clash in harmonics and therefore the result sounded rather unpleasant. Thus he decided to create a kind of "guitar orchestra", inspired by work of Queen's Brian May, where the notes were separated into single lines and harmonies. Kershaw elaborates on the layering of the guitar lines:
I think I'm playing fifths in one go. But some of the more subtle notes just didn't work, so I think I did about four takes of each note, so there were a lot of takes, and this was all on analogue tape, obviously. We then bounced them all together to make that one sound.
According to Kershaw, there were about 20 guitars on this song alone, and there was a bit of trouble in trying to get the other instruments being overdubbed (such as bass and keyboards) in tune with the guitars.

The main synthesizer riff was produced using a combination of PPG Wave 2.2 and a Yamaha DX7.

"Wouldn't It Be Good" was released in a single version and an extended 12" version. A remix by Simon Boswell, clocking in at 7:20, appears on the album Retro:Active 4: Rare & Remixed.

In 1985, "Wouldn't It Be Good" appeared on the soundtrack to the film Gotcha!

In the music video for "Wouldn't It Be Good", Kershaw is an extraterrestrial visitor who observes the characteristics of the people around him. It was directed by graphic designer Storm Thorgerson, was released in 1984 and received heavy rotation on MTV, which helped the song reach No. 46 on the US charts. It used chroma key technology to achieve the alien suit's special effects. The music video was filmed in mid-January 1984 over a period of three days, primarily in and around St. James' Court Hotel, London. The closing scenes were recorded at the Mullard Radio Astronomy Observatory, near Cambridge.

According to Kershaw, the song was about "always wanting it better than everyone else", a concept which the director of the video further developed and integrated into the video plot of Kershaw being the alien who steps into other people's shoes. But in the end the alien realises that it was not such a good idea at all, and decides to return to his home planet.

In a review of the single's 1991 reissue, Stephen Dalton of NME praised it as "a deeply felt ennui at the hopeless dreams and aspirations of idealistic youth" and a "welcome re-release from a much underrated innovator of early synth-pop".

Track listings

7-inch single

       A. "Wouldn't It Be Good" – 4:35
       B. "Monkey Business" – 3:28

12-inch single

        A. "Wouldn't It Be Good" (special extended mix) – 6:50
        B. "Monkey Business" – 3:28





Nik Kershaw "The Works (Japan, MCA Records, 22P2-2393)"

The Works is the fourth studio album by the English singer-songwriter and multi-instrumentalist Nik Kershaw. It was released in 1989 and was the last album he created for MCA Records. Kershaw chose the album's title as he felt the album represented "the collected works of Nik Kershaw". He did not release any new solo material until 15 Minutes, 10 years later.

The album was not commercially successful, though the lead single "One Step Ahead" reached No. #55 in the UK. "Elisabeth's Eyes", the second and final single, failed to chart altogether.

Although the album was produced by Peter Wolf and co-produced by Brian Malouf, both singles were written shortly after Kershaw became unhappy with Wolf's production and his direction for the album. They were produced by Kershaw and Julian Mendelsohn, with the two also re-working the production of the entire album, earning them an additional production credit.

After its original release, the album remained out of print on any format for years. However, in November 2006, the album became available via online MP3 download on major sites such as Amazon and iTunes.

In an interview of the time, Kershaw spoke of the album's creation and production:
"In April 1987 I finished touring, after that I wrote songs for the new album. In August of that year I went to Los Angeles to record The Works album in four months with producer Peter Wolf. Back home in England I listened to the album and discovered that I hated it. I could never have promoted that album. How could I tell the people: it's a great product, buy it!, if I wouldn't have bought it myself. So I quickly wrote two more songs, among which was "One Step Ahead", and I did a lot all over again with Julian Mendelsohn in London. Eventually the record was only finished last year in October. But I must say that I'm a whole lot happier about it now."
Speaking of working with Wolf, Kershaw said:
"American producers are used to having total control over their production. But I wanted to have a say about my own songs myself. Americans want predictable songs and sounds whereas I chose the opposite. We have been fighting like cats and dogs in that studio, we were constantly clashing. In the end we decided to make a compromise, but with the result that neither of us was happy with the final result. It was all very annoying, but I also learned from it."
The track "One World" was later included on Kershaw's 1991 compilation album The Collection, while the German vinyl and Japanese CD editions of the compilation featured a re-recorded version of the track instead. In recent years, Kershaw stated via his Q&A sessions "Drum Talk" that the re-recorded version was to be a single after the release of "Elisabeth's Eyes", however this never materialised as he and the record label MCA parted company. In 1991, English pop singer Chesney Hawkes covered the song for his debut studio album Buddy's Song and it also appeared as the B-side to his third single "Secrets of the Heart". In the same year, Hawkes had scored a number one hit in the UK with the Nik Kershaw-penned song "The One and Only".

Track listing
All songs are written by Nik Kershaw, except where noted.
  1. "One Step Ahead" – 3:53
  2. "Elisabeth's Eyes" – 4:40
  3. "Take My Place" – 4:04
  4. "Wounded Knee" – 3:53
  5. "Cowboys & Indians" – 3:52
  6. "One World" (Nik Kershaw, Peter Wolf) – 4:39
  7. "Don't Ask Me" – 4:02
  8. "Burning at Both Ends" – 4:05
  9. "Lady on the Phone" (Kershaw, Wolf) – 4:09
  10. "Walkabout" – 4:56
Made by Warner-Pioneer Corporation, Japan.

Recording information:
Recorded at: Can-Am Recorders (Tarzana, California)
Sarm West Studios (London)
Sarm East Studios (London)
Rumbo Recorders (Canoga Park, California)
Ground Control (Santa Monica, California)
Secret Sound (Woodland Hills, California)















domingo, 15 de junio de 2025

Nektar "Down To Earth (2013 Reissue, Remastered, 2 CD, Limited Edition Papersleeve, SHMCD, Japan, Belle Antique, BELLE-132137)"

Down to Earth is the fifth album from English progressive rock band Nektar. A snippet of the song "Show Me the Way" was featured in an episode from the first season of the sitcom The Jeffersons.

Tracklist:
  1. Astral Man
  2. Nelly The Elephant
  3. Early Morning Clown
  4. That’s Life
  5. Fidgety Queen
  6. Oh Willy
  7. Little Boy
  8. Show Me The Way
  9. Finale
  10. Astral Man
  11. Nelly The Elephant
  12. Early Morning Clown
  13. That s Life
  14. Oh Willy
  15. Show Me The Way
  16. Rovert Calvert Outtakes
Tracks 10-16: The Original Chipping Norton Mixes

Recording information:
Produced By Peter Hauke & Nektar
Recorded & Engineered By Barry Hammond



































Nektar "...Sounds Like This (2006 Reissue, Remastered, Digipak, UK, Eclectic Discs/Dream Nebula Recordings/InsideOut Music, DNECD1213)"

...Sounds Like This is the third album from English progressive rock band Nektar, released in 1973. It was the first Nektar album to be released in their home country of the United Kingdom. An attempt to recreate the band's live sound, ...Sounds Like This was largely improvised and dominated by extensive instrumental jamming, in contrast to their usual concept and composition-driven albums. The different approach to recording, combined with a number of difficulties with the mixing, resulted in it being the band's heaviest work.

The idea behind ...Sounds Like This, conceived by the band themselves, was to create an album that recreated Nektar's live sound while avoiding the various recording and sound quality difficulties inherent to live recordings. To this end, on 12 October 1972 the band set up their gear in Dierks Studios and performed for a little over an hour to an audience of just a small group of friends. The majority of the tracks had already been written before Nektar had formed, and were commonly played during their live shows before the album's recording. Some had also been recorded in 1970 as the, "Boston Tapes," but those recordings were never released until their inclusion on the 40th Anniversary Edition of Remember the Future.

Dissatisfied with the original master, Nektar and producer Peter Hauke opted to do a series of dubs and re-recordings, which took place in February. Of the tracks recorded during the original October session, only "Wings" appeared on the album in its original form, without dubbing or additional takes. Two songs from the original session ("Sunshine Down on the City" and "It's All in Ya Mind") were cut from the album entirely, and new songs that had been written in the intervening four months were added. The original sleeve notes state the album to have been recorded entirely in February 1973, omitting the October 1972 session. Several of the recordings from the October 1972 session later appeared as bonus tracks.

Allmusic's brief retrospective review dismissed ...Sounds Like This as "a step backward, with lighter, less ambitious songs that didn't work as well as their long form sound."

Track listing
All tracks are written by Nektar except where noted.

      1.- "Good Day" 6:45
      2.- "New Day Dawning"   5:02
      3.- "What Ya Gonna Do?" 5:24
      4.- "1-2-3-4" 12:47
      5.- "Do You Believe in Magic?" 7:17
      6.- "Cast Your Fate" 5:44
      7.- "A Day in the Life of a Preacher"   13:01
            a. "Preacher"
            b. "Squeeze"
            c. "Mr. H"
      8.- "Wings" 3:46
      9.- "Odyssee"  14:31
            a. "Ron's On"
            b. "Never, Never, Never"
            c. "Da-Da-Dum"

Bonus tracks
  1. Good Day 7:10
  2. New Day Dawning 5:36
  3. Sunshine Down On The City 13:02
  4. Da Da Dum 6:30
  5. What Ya Gonna Do? 6:50
  6. It's All In Your Mind 12:48
  7. Cast Your Fate Jam 20:25
  8. Wings 3:54
CD 1 recorded live in Studio Dierks on the 8th/9th/10th of February 1973.
Tracks 2-1 to 2-3, 2-5 to 2-7 recorded at Dierks Studio, Stommeln, Germany on 12th October 1972.
Tracks 2-4, 2-8 recorded at Dierks Studio, Stommeln, Germany on 19th February 1973.

This sound recording © 1973 Bellaphon Records GmbH.
This CD reissue, Digital remasters and mixes ℗ and © 2005 Dream Nebula Recordings / Eclectic Entertainment Ltd.
























Nektar "A Tab In The Ocean (2013 Reissue, Remastered, 2CD, Limited Edition Papersleeve, SHMCD, Japan, Belle Antique, BELLE 132127~8)"

A Tab in the Ocean is the second album from German-based English progressive rock band Nektar.

English heavy metal band Iron Maiden covered the song "King of Twilight", also mixing in parts of "Crying in the Dark" creating somewhat of a medley, and released as a b-side to the 1984 single "Aces High".

Track listing
All songs written and arranged by Nektar.

Disc 1
The Original 1972 Mix
  1. A Tab In The Ocean 16:53
  2. Desolation Valley / Waves 8:13
  3. Crying In The Dark 6:29
  4. King Of Twilight 4:22
The 1976 U.S. Mix
  1. A Tab In The Ocean 16:04
  2. Desolation Valley / Waves 8:33
  3. Crying In The Dark 5:14
  4. King Of Twilight 4:05
Double CD reissue. Disc one as 2004 reissue above, with both 1972 and 1976 album mixes. The bonus disc two includes more songs from the same "Official Bootleg" 1971 show released on the bonus disc of the 2013 reissue of Journey to the Centre of the Eye, plus a live in the studio track from 1973.

Disc 2: Official Bootleg
  1. A Tab In The Ocean 17:46
  2. Porcelain Valley (Later Called "Desolation Valley") 11:33
  3. Crying In The Dark 9:17
  4. Desolation Valley / Waves 8:25
Recording information:
Peter Hauke – production
Dieter Dierks – engineering