lunes, 21 de octubre de 2019

The Beatles "1"

1 is a compilation album by the English rock band the Beatles, originally released on 13 November 2000. The album features virtually every number-one single the band achieved in the United Kingdom and United States from 1962 to 1970. Issued on the 30th anniversary of the band's break-up, it was their first compilation available on only one CD. 1 was a commercial success and topped the charts worldwide. It has sold over 31 million copies.

In addition, 1 is the fourth best-selling album in the US since Nielsen SoundScan began tracking US album sales in January 1991 and the best-selling album of the decade (2000 to 2009) in the US, as well as the best-selling album of the decade worldwide. 1 was remastered and reissued in September 2011, and was remixed and reissued again in several different deluxe editions in November 2015, the most comprehensive of which is a three-disc set entitled 1+, which includes video discs of the band's music videos.

As of June 2015, 1 is the sixth best-selling album of the 21st century in the UK, having sold over 3.1 million copies.

Compiled by producer George Martin and the (then) three surviving members of the band, 1 includes the 27 Beatles songs that went to number one in the United Kingdom on the Record Retailer Top 50 chart or in the United States on the Billboard Hot 100 chart. It is worth noting, however, that the song "For You Blue" was listed on Billboard chart at number 1, along with the A-side "The Long and Winding Road", but Capitol Records treated "For You Blue" as strictly a B-side and did not promote it as an A-side. Meanwhile, "Day Tripper" was included on 1, since it charted at number 1 in the UK as a double A side with "We Can Work It Out", while in the US, only "We Can Work It Out" was number 1. Two notable singles released in both the UK and US that did not reach number 1 in either country, and were therefore ineligible for inclusion on the album, were "Please Please Me" and "Strawberry Fields Forever" (both reached number 2 in the UK charts, while in the US the former peaked at number 3, and the latter at number 8). The former was largely known as "The Beatles' first UK number one single"; however, it reached the top spot in the musical magazines New Musical Express and Melody Maker but not on the chart published by Record Retailer (now Music Week). On the other hand, "Strawberry Fields Forever" was part of a double A-side single along with "Penny Lane". This single had peaked at number 2 in the charts, behind Engelbert Humperdinck's single "Release Me".

This album is essentially a combination of both the US and UK versions of the earlier album 20 Greatest Hits, with the addition of "Something" (which was left off 20 Greatest Hits because of time constraints). On 1, "Hey Jude" was released in its original full-length version (slightly over seven minutes); on the American version of 20 Greatest Hits it had been released as a shortened version

The package of 1 was intended to be simplistic and ambitious at the same time. Its cover was designed by Rick Ward, and consists of a pop-art yellow number one on a red background. The emphasis on the 1 digit was used on many of the compilations of number-one hits by different artists that followed this album; for example, ELV1S by Elvis Presley or Number Ones by the Bee Gees. The album's back cover features the famous photos of the Beatles taken by Richard Avedon and copyrighted on 17 August 1967. The design exclusively uses variations of the Helvetica typeface.

1 was released worldwide in CD and cassette. The vinyl format was released only in the United Kingdom. The CD includes a 32-page booklet with a coloured page with international picture covers (a total of 163 covers are displayed on the whole booklet) and details (recording date, location, release date, chart stats) for each of the singles. It also includes on its first two pages a collage with 27 1s in different colours (all of them following the same art as the cover) with the sentence "27 No. 1 singles = 1" (which was used as a catch phrase for the promo ads for the album), and a foreword by George Martin.

The LP and cassette keep the main art of the CD version, but in a different form. The double vinyl record version was not released in the US, but the imported British edition was available. The vinyl version features a large full-colour fold-out poster showing 126 picture sleeves (37 fewer than on the CD), and reproductions of the four Richard Avedon photos. The Avedon portraits also appear on the inside of the gate-fold cover. The records have custom labels featuring the same graphics as the front cover and are packaged in custom inner sleeves. The deluxe packaging of the vinyl album, with its four portraits and poster, is reminiscent to that of their titular 1968 album. The cassette included a 20-page insert, including the collage, the George Martin commentary and paged Avedon's portraits on its inlay and the whole description for the tracks as a total of 36 covers on its inlay reverse.

Track listing

CD/First DVD/Blu-ray
"Love Me Do" – 2:21 (Lennon-McCartney)
Released in the UK on 5 October 1962, and in the U.S. on 27 April 1964. Reached No. 1 in the U.S. for one week on 30 May 1964. This is the version released in the U.S. with Ringo Starr on tambourine and session musician Andy White on drums. First included on Introducing... The Beatles (1964) and Please Please Me (1963), depending on the territory.
The DVD/BD track is from The Little Theatre, Southport, Merseyside, England, 27 August 1963 recorded for the BBC documentary The Mersey Sound; it aired on 9 October.
"From Me to You" – 1:55 (Lennon-McCartney)
Released in the UK on 11 April 1963, and in the U.S. on 27 May. Reached No. 1 in the UK for seven weeks on 2 May 1963. First included on The Beatles/1962-1966 (1973) and A Collection of Beatles Oldies (1966), depending on the territory.
The DVD/BD track is from the Royal Variety Performance, Prince of Wales Theatre, London, England, 4 November 1963, aired on 10 November.
"She Loves You" – 2:21 (Lennon-McCartney)
Released in the UK on 23 August 1963, and in the U.S. on 16 September. Reached No. 1 in the UK for four weeks on 14 September 1963, then again for two weeks on 28 November. Reached No. 1 in the U.S. for two weeks on 21 March 1964. First included on The Beatles' Second Album (1964) and A Collection of Beatles Oldies, depending on the territory.
The DVD/BD track is from the Swedish television pop music show Drop In, recorded 30 October 1963, aired 3 November.
"I Want to Hold Your Hand" – 2:24 (Lennon-McCartney)
Released in the UK on 29 November 1963, and in the U.S. on 26 December. Reached No. 1 in the UK for five weeks on 12 December 1963. Reached No. 1 in the U.S. for seven weeks on 1 February 1964. First included on Meet the Beatles! (1964) and A Collection of Beatles Oldies (1966), depending on the territory.
The DVD/BD track is from Studio Four, Granada TV Centre, Manchester, England, 25 November 1963 filmed for Late Scene Extra, aired two days later.
"Can't Buy Me Love" – 2:11 (Lennon-McCartney)
Released in the U.S. on 16 March 1964, and in the UK on 20 March. Reached No. 1 in the UK for three weeks on 2 April 1964, and in the U.S. for five weeks on 4 April. First included on respective territorial versions of A Hard Day's Night (1964).
The DVD/BD track is from the Beatles' television special Around the Beatles, music recorded on 19 April 1964, performed lip-synched on 28 April (at Studio 5 A/B, Wembley Studios, London, England), and aired on Rediffusion 6 May.
"A Hard Day's Night" – 2:33 (Lennon-McCartney)
Released in the UK on 10 July 1964, and in the U.S. on 13 July. Reached No. 1 in the UK for three weeks on 23 July 1964, and in the U.S. for two weeks on 1 August. First included on respective territorial versions of A Hard Day's Night (1964).
The DVD/BD track is from the Palais des Sports, Paris, France, 20 June 1965, recorded/filmed for a 31 October broadcast of Les Beatles.
"I Feel Fine" – 2:18 (Lennon-McCartney)
Released in the U.S. on 23 November 1964, and in the UK on 27 November. Reached No. 1 in the UK for five weeks on 10 December 1964, and in the U.S. for three weeks on 26 December. First included on Beatles '65 (1964) and A Collection of Beatles Oldies, depending on the territory.
The DVD/BD track is a promo video filmed at the Twickenham Film Studios, Middlesex, England, 23 November 1965.
"Eight Days a Week" – 2:43 (Lennon-McCartney)
Released in the U.S. on 15 February 1965, where it reached No. 1 for two weeks on 13 March. First included on Beatles VI (1965) and Beatles for Sale (1964), depending on the territory.
The DVD/BD track is a montage of footage of their famous concert at Shea Stadium, New York City, New York, 15 August 1965.
"Ticket to Ride" – 3:08
Released in the UK on 9 April 1965, and in the U.S. on 19 April. Reached No. 1 in the UK for three weeks on 22 April 1965, and in the U.S. for one week on 22 May. First included on respective territorial versions of Help! (1965).
The DVD/BD track is a promo video filmed at Twickenham Film Studios, Middlesex, England, 23 November 1965.
"Help!" – 2:18
Released in the U.S. on 19 July 1965, and in the UK on 23 July. Reached No. 1 in the UK for three weeks on 5 August 1965, and in the U.S. for three weeks on 4 September. First included on respective territorial versions of Help!.
The DVD/BD track is a promo video filmed at Twickenham Film Studios, Middlesex, England, 23 November 1965.
"Yesterday" – 2:05
Released in the U.S. on 13 September 1965, where it reached No. 1 for four weeks on 9 October. First included on Help! and Yesterday and Today (1966), depending on the territory.
The DVD/BD track is from The Ed Sullivan Show, recorded 14 August 1965, aired 12 September.
"Day Tripper" – 2:48
Released in the UK on 3 December 1965, and in the U.S. on 6 December. Reached No. 1 in the UK for five weeks on 16 December 1965. A tape drop-out that appears in previous stereo releases of this song has been corrected here. First included on the albums Yesterday and Today and A Collection of Beatles Oldies, depending on the territory.
The DVD/BD track is a promo video filmed at Twickenham Film Studios, Middlesex, England, 23 November 1965.
"We Can Work It Out" – 2:15
Released in the UK on 3 December 1965, and in the U.S. on 6 December. Reached No. 1 in the UK for five weeks on 16 December 1965, and in the U.S. for two weeks on 8 January 1966, and for another week on 29 January. First included on the 1966 albums Yesterday and Today and A Collection of Beatles Oldies, depending on the territory.
The DVD/BD track is a promo video filmed at Twickenham Film Studios, Middlesex, England, 23 November 1965.
"Paperback Writer" – 2:16
Released in the U.S. on 30 May 1966, and in the UK on 10 June. Reached No. 1 in the UK for two weeks on 23 June 1966, and in the U.S. for one week on 25 June, and for another week on 9 July. First included on A Collection of Beatles Oldies and Hey Jude (1970), depending on the territory.
The DVD/BD is a promo video filmed in colour at Chiswick House, Chiswick, London, England, 20 May 1966; later aired in black and white on Top of the Pops.
"Yellow Submarine" – 2:37
Released in the UK on 5 August 1966, and in the U.S. on 8 August. Reached No. 1 in the UK for four weeks on 18 August 1966. First included on respective territorial versions of Revolver (1966).
The DVD/BD track is montage of footage from the animated film Yellow Submarine (1968).
"Eleanor Rigby" – 2:06
Released in the UK on 5 August 1966, and in the U.S. on 8 August. Reached No. 1 in the UK for four weeks on 18 August 1966, as part of a double-A-sided single with "Yellow Submarine". First included on respective territorial versions of Revolver.
The DVD/BD track is a sequence originally found as a part of Yellow Submarine.
"Penny Lane" – 3:00
Released in the U.S. on 13 February 1967, and in the UK on 17 February. Reached No. 1 in the U.S. for one week on 18 March 1967. First included on the U.S. release of Magical Mystery Tour (1967).
The DVD/BD track is a promo video filmed on 5 & 7 February 1967 in England (Stratford, London; Knole Park, Sevenoaks, Kent; Liverpool (non-Beatles footage)); later aired on Juke Box Jury, Top of the Pops (both from the BBC), and The Hollywood Palace (in the U.S.).
"All You Need Is Love" – 3:46
Released in the UK on 7 July 1967, and in the U.S. on 17 July. Reached No. 1 in the UK for three weeks on 19 July 1967, and in the U.S. for one week on 19 August. First included on the U.S. release of Magical Mystery Tour.
The DVD/BD track is a live broadcast from Studio One, Abbey Road Studios, London, England, 25 June 1967 for the Our World special. The pre-recorded backing track was done on 14 June as the orchestra, vocals, drums, bass, and guitar solo were recorded and filmed live in the studio. Famous guests who appeared included Mick Jagger and Keith Richards (of The Rolling Stones), Eric Clapton, Keith Moon of The Who, Graham Nash of The Hollies, Mike McGear (McCartney's brother), and Gary Walker of The Walker Brothers. The orchestra can be heard playing Bach's Brandenburg Concerto and the traditional song "Greensleeves" (which Martin was paid £15 for) during the extended fade-out in the 6-minute broadcast.
"Hello, Goodbye" – 3:26
Released in the UK on 24 November 1967, and in the U.S. on 27 November. Reached No. 1 in the UK for seven weeks on 6 December 1967, and in the U.S. for three weeks on 30 December. First included on Magical Mystery Tour.
The DVD/BD track is a promo video filmed at the Saville Theatre, London, England, 10 November 1967 featuring The Beatles in their Sgt. Pepper outfits (unlike the other two videos found on the disc). It later aired on the Sunday 26 November episode of The Ed Sullivan Show and The Hollywood Palace two days later. Due to the Musicians' Union's ban on miming during performances in the UK, the video was replaced by a montage of shots from the film A Hard Day's Night (1964) for 23 November broadcast of Top of the Pops and the film Magical Mystery Tour (1967) two weeks later.
"Lady Madonna" – 2:15
Released in the UK on 15 March 1968, and in the U.S. on 18 March. Reached No. 1 in the UK for two weeks on 27 March 1968. First included on Hey Jude.
The DVD/BD track is a promo video filmed in Studio Three, Abbey Road Studios, London, England, 11 February 1968 and at Chappell Studios, London, England three days later. It included shots of the band recording "Hey Bulldog" (with its accompanying video found on the second disc).
"Hey Jude" – 7:03
Released in the U.S. on 26 August 1968, and in the UK on 30 August. Reached No. 1 in the UK for two weeks on 11 September 1968, and in the U.S. for a record nine weeks on 28 September. First included on Hey Jude.
The DVD/BD track is a promotional recording made on 4 September 1968 at Twickenham Film Studios, Middlesex, England, with live vocal from McCartney. It later aired on Frost on Sunday (by David Frost) on 6 October 1968, and a month later on The Smothers Brothers Comedy Hour.
"Get Back" – 3:12
Released in the UK on 11 April 1969, and in the U.S. on 5 May. Reached No. 1 in the UK for six weeks on 23 April 1969, and in the U.S. for five weeks on 24 May. While a different version was included on Let It Be (1970), this version was first included on The Beatles/1967-1970 (1973).
The DVD/BD track is a promo video featuring filmed footage at the famous Apple rooftop concert in Saville Row, Mayfair, London, England, 30 January 1969. Edits and mash-ups of the three times they played the song were done by Apple Films for later broadcasts such as Top of the Pops.
"The Ballad of John and Yoko" – 2:57
Released in the UK on 30 May 1969, and in the U.S. on 4 June. Reached No. 1 in the UK for three weeks on 11 June 1969. First included on Hey Jude.
The DVD/BD track is a promo video created by Apple Films with outtakes from the film Let It Be (1970) and footage shot at places like London, Paris, Amsterdam, and Vienna.
"Something" – 3:01
Released in the U.S. on 6 October 1969, and in the UK on 31 October. Reached No. 1 in the U.S. for one week on 29 November 1969. First included on Abbey Road (1969).
The DVD/BD track is an Apple-produced promo video filmed in October 1969 featuring the four Beatles and their wives at Tittenhurst Park, Ascot, Berkshire, England (the Lennons); "Kinfauns", Esher, Surrey, England (the Harrisons); "Brookfield", Elstead, Surrey (the Starkeys); and Mull of Kintyre, Scotland (the McCartneys).
"Come Together" – 4:16
Released in the U.S. on 6 October 1969, and in the UK on 31 October. As the B-side of a double-A-sided single with "Something", it reached No. 1 in the U.S. for one week on 29 November 1969. First included on Abbey Road.
The DVD/BD track is a multimedia clip created by Melon Dezign for the launch of The Beatles' official website, which was done to celebrate the original release of 1.
"Let It Be" – 3:48
Released in the UK on 6 March 1970, and in the U.S. on 11 March. Reached No. 1 in the U.S. for two weeks on 11 April 1970. While a different version was included on Let It Be (1970), this version was first included on The Beatles/1967-1970.
The DVD/BD track is from the film Let It Be being synced with the single version for promotional release. It was of the recording sessions for said song at Apple Studio, Saville Row, London, England, 31 January 1969, a day after the Apple rooftop concert.
"The Long and Winding Road" – 3:36
Released in the U.S. on 11 May 1970, where it reached No. 1 for two weeks on 13 June. First included on Let It Be.
The DVD/BD track is from the film Let It Be, with footage being used from the same recording sessions as "Let It Be". The only exception with both videos is that the audio from the sessions was used in this video instead of the one for "Let It Be".


























t.A.T.u. "200 km/h in the Wrong Lane"

200 km/h in the Wrong Lane, also titled t.A.T.u. in Japan, is the second studio album and first English-language release by Russian duo t.A.T.u., first released on 10 December 2002 by Interscope Records. It is the duo's first studio album to be associated with Interscope after signing to Universal Music Russia, the label they signed to in 1998. Due to the duo's lack of English vocabulary, the album was produced and written by producers such as Trevor Horn, Martin Kierszenbaum, Sergio Galoyan, Robert Orton and Ivan Shapovalov, who was placed as the duo's manager and executive producer. 200 km/h lyrically explores themes such as teenage rebellion, love, sexuality, sadness, independence and social rebellion.

The album received mixed reaction from contemporary music critics. Many critics praised the catchiness and production standards, while ambivalent towards the group's tacky imagery and vocal abilities. Upon its release, it debuted inside the top ten in many European countries including Denmark, Austria, Finland and Italy. It became the group's best-selling album on the US Billboard 200, peaking at thirteen. The album became the highest selling album in Russia, with estimated shipments of one million copies. They went on to promote the album with their Show Me Love Tour.

One of the three official singles "All the Things She Said" became one of the most successful singles in the 2000 era, charting at the top spot in over 20 countries. The song was responsible for bringing the group to the spotlight, particularly with the music video, which caused international controversy. "Not Gonna Get Us" and "How Soon Is Now?" charted moderately worldwide. With the sales, they became the first Russian act to have an album charting in many charts worldwide, and the second to chart on the US Billboard 200, following Gorky Park in 1989.

Prior to t.A.T.u. Yulia and Lena had auditioned as members of Neposedy, a group produced by Ivan Shapolavov and his business partner Alexander Voitinskyi. Shapolavov has said the two girls stood out from the rest of those that auditioned; however, 14-year-old Katina was initially the only one chosen for the band. She sang "It Must Have Been Love" by Swedish pop duo Roxette and later recorded a demo release of "Yugoslavia" for the "1999 NATO bombing of Yugoslavia". When both Lena and Julia were cast for the group (under the name 'Taty'), they began to record their first record. Then, in 2001 the group released "200 Po Vstrechnoy", which became successful in Poland and Russia. While the album was in development, their producer Alexander Voitinskyi left the production, leaving the album unreleased. However, Shapolavov later signed Elena Kiper as the new co-producer and co-writer for the album. With the success, Shapovalov decided to sign the group to Interscope and its parent Universal Music Group at the headquarters in Russia.

The group started recording the album in Trevor Horn's home studio in London, England and having some recording sessions in Los Angeles, California. When the group were signed and ready for recording, both Yulia and Lena felt it was easy to understand the English language. Yulia stated that Kierszenbaum helped her with pronunciation, while Lena was already speaking English before production of the album. However, during the times recording in studios, Yulia constantly lost her voice.

Katina commented on the collaborations, saying; "It was great [...] I think he was involved in some translations because we wanted to keep the meaning of the songs, and to keep the structure specifics. I think that Martin is a little bit of a fan of t.A.T.u, so he was really trying hard to make us big everywhere! We had an opportunity to work with great producer, it was valuable experience. I am talking about Trevor Horn. And in general, just imagine: Two girls are coming from Russia, which is another world compared to the USA, working with a high class producers and writers and management. Everybody is so professional. Working with Martin and Interscope in general brought us to an absolutely different level."

The album's title was revealed as 200 km/h in the Wrong Lane, which strikes a similarity to their first studio album. In a documentary on their DVD Screaming for More, the group revealed that the title of the album was to represent their imagery that was portrayed through the media and that the album represented a "dangerous" side to them. Katina also said of Volkova's dangerous driving that inspired the title.

The artwork and photoshoot off the album was shot by Sheryl Nields. There are three official covers to the album. The international version featured both Volkova and Katina leaning of a motorbike, with Katina leaning on Volkova. The Japanese version was shot with the duo in catholic school uniforms similar to the clothes they wore in the "All the Things She Said" video. Because the album issued music videos, a "G" rating was issued on the cover off the album physically. The 10th Anniversary Edition takes the artwork off "All the Things She Said" and uses the group's music videos to illustrate the border of the cover.

Track listing
  1. "Not Gonna Get Us" 4:22
  2. "All the Things She Said" 3:34
  3. "Show Me Love" 4:16
  4. "30 Minutes" 3:18
  5. "How Soon Is Now?" 3:16
  6. "Clowns (Can You See Me Now?)" 3:12
  7. "Malchik Gay" 3:10
  8. "Stars" 4:08
  9. "Я Сошла С Ума" (Ya Shosla (sic) S Uma) 3:35
  10. "Нас Не Догонят" (Nas Ne Dagoniat (sic)) 4:22
  11. "Show Me Love" (Extended version) 5:10
Total length: 42:19

















Spandau Ballet "Heart Like The Sky"

Heart Like a Sky is the sixth studio album by the band Spandau Ballet. It was released on 18 September 1989 by CBS Records. The album was mainly distributed in continental Europe. It was the group's last release before disbanding, and only achieved commercial success in Italy and the Netherlands.

Track listing
All tracks are written by Gary Kemp, except "Motivator" by Steve Norman.
  1. "Be Free With Your Love" 4:39
  2. "Crashed into Love" 4:43
  3. "Big Feeling" 3:47
  4. "A Matter of Time" 5:15
  5. "Motivator" 4:00
  6. "Raw" 3:46
  7. "Empty Spaces" 3:57
  8. "Windy Town" 4:22
  9. "A Handful of Dust" 4:54








Spandau Ballet "The Twelve Inch Mixes"

The Twelve Inch Mixes is a compilation album by Spandau Ballet. It was released on 30 June 1986 by Chrysalis Records.

Track listings
All tracks are composed by Gary Kemp and all are mixes.

European CD
  1. "Gold" (12" Mix) - 7:20
  2. "Lifeline" (12" Version) - 5:20
  3. "Round and Round" (12" Version) - 5:35
  4. "Only When You Leave" (Extended Mix) - 6:22
  5. "Instinction" (Edit) - 3:37
  6. "Highly Re-Strung" (12" Version) - 5:30
  7. "True" (12" Version) - 6:08
  8. "Communication" (12" Version) - 4:30
  9. "I'll Fly for You" (12" Version) - 5:37
  10. "To Cut a Long Story Short" (12" Version) - 6:04
  11. "Chant No. 1 (I Don't Need This Pressure On)" (12" Version) - 5:48
  12. "The Freeze" (12" Version) - 6:33
  13. "Musclebound" (12" Version) - 4:53
Double LP and Japanese 2CD
Side one

Produced by Tony Swain, Steve Jolley and Spandau Ballet.
  1. "Gold" (12" Mix) - 7:20
  2. "Lifeline" (12" Version) - 5:20
  3. "Round and Round" (Long Version) - 5:35
  4. "Only When You Leave" (Extended Mix) - 6:22
Side two

Produced by Tony Swain, Steve Jolley and Spandau Ballet, except "Instinstion" produced by R.J. Burgess and Trevor Horn.
  1. "Instinction" (Edit) - 3:37
  2. "Highly Re-Strung" (12" Version) - 5:30
  3. "True" (12" Version) - 6:08
  4. "Communication" (Club Mix) - 4:30
Side three

Produced by R.J. Burgess, except "I'll Fly For You" produced by Tony Swain, Steve Jolley and Spandau Ballet.
  1. "I'll Fly for You" (Long Version) - 5:37
  2. "To Cut a Long Story Short" (12" Version) - 6:30 *
  3. "Chant No. 1 (I Don't Need This Pressure On)" (12" Version) - 5:48 **
  4. "She Loved Like Diamond" (Extended Version) - 3:38
Side four

Produced by R.J. Burgess.
  1. "Paint Me Down" (12" Version) - 7:06
  2. "The Freeze" (Special Mix) - 6:33
  3. "Musclebound" (Remix) - 4:53
* Time: 6:04 on CD
** Time: 8:04 on LP