Laura Branigan "The Platinum Collection (2009 Reissue, Japan, Rhino Records, WPCR-13415)"

The Platinum Collection is the first greatest hits collection of American singer Laura Branigan that was released posthumously. It was released only in the United Kingdom and Brazil on July 24, 2006, however is available as an import in other regions. The album is part of the Warner Platinum series released by Rhino Records.

Tracklist:

1. Gloria 4:50
2. Self Control 4:08
3. The Lucky One 4:10
4. Solitaire 4:06
5. Power Of Love 5:25
6. How Am I Supposed To Live Without You 4:27
7. Ti Amo 4:18
8. I Found Someone 4:01
9. Will You Still Love Me Tomorrow 3:26
10. Spanish Eddie 4:07
11. All Night With Me 3:52
12. Lovin' You Baby 4:34
13. Shattered Glass 3:42
14. Never In A Million Years 4:10
15. Moonlight On Water 4:39
16. Satisfaction 3:56
17. If You Loved Me 3:15
18. Silent Partners 4:10

USA For Africa "We Are The World (Single & Video)"

"We Are the World" is a charity single originally recorded by the supergroup United Support of Artists (USA) for Africa in 1985. It was written by Michael Jackson and Lionel Richie and produced by Quincy Jones for the album We Are the World. With sales in excess of 20 million copies, it is one of fewer than 30 retail singles to have sold at least 10 million copies worldwide.

Following Band Aid's 1984 "Do They Know It's Christmas?" project in the United Kingdom, an idea for the creation of an American benefit single for African famine relief came from activist Harry Belafonte, who, along with fundraiser Ken Kragen, was instrumental in bringing the vision to reality. Several musicians were contacted by the pair, before Jackson and Richie were assigned the task of writing the song. The duo completed the writing of "We Are the World" seven weeks after the release of "Do They Know It's Christmas?", and one night before the song's first recording session, on January 21, 1985. The historic event brought together some of the most famous artists in the music industry at the time.

The song was released on March 7, 1985, as the first single from the album. A worldwide commercial success, it topped music charts throughout the world and became the fastest-selling American pop single in history. The first ever single to be certified multi-platinum, "We Are the World" received a Quadruple Platinum certification by the Recording Industry Association of America.

Awarded numerous honors—including three Grammy Awards, one American Music Award, and a People's Choice Award—the song was promoted with a critically received music video, a home video, a special edition magazine, a simulcast, and several books, posters, and shirts. The promotion and merchandise aided the success of "We Are the World" and raised over $63 million (equivalent to $144 million today) for humanitarian aid in Africa and the US.

Following the devastation caused by the magnitude 7.0 Mw earthquake in Haiti on January 12, 2010, a remake of the song by another all-star cast of singers was recorded on February 1, 2010. Entitled "We Are the World 25 for Haiti", it was released as a single on February 12, 2010, and proceeds from the record aided survivors in the impoverished country.

"We Are the World" was promoted with a music video, a video cassette, and several other items made available to the public, including books, posters, shirts and buttons. All proceeds from the sale of official USA for Africa merchandise went directly to the famine relief fund. All of the merchandise sold well; the video cassette—entitled We Are the World: The Video Event—documented the making of the song, and became the ninth best-selling home video of 1985. All of the video elements were produced by Howard G. Malley and Craig B. Golin along with April Lee Grebb as the production supervisor.

The music video showed the recording of "We Are the World", and drew criticism from some. Michael Jackson joked before filming, "People will know it's me as soon as they see the socks. Try taking footage of Bruce Springsteen's socks and see if anyone knows who they belong to." Jackson was also criticized for filming and recording his solo piece privately, away from the other artists.

The song was also promoted with a special edition of the American magazine Life. The publication had been the only media outlet permitted inside A&M Recording Studios on the night of January 28, 1985. All other press organizations were barred from reporting the events leading up to and during "We Are the World"'s recording. Life ran a cover story of the recording session in its April 1985 edition of the monthly magazine. Seven members of USA for Africa were pictured on the cover: Bob Dylan, Bruce Springsteen, Cyndi Lauper, Lionel Richie, Michael Jackson, Tina Turner and Willie Nelson. Inside the magazine were photographs of the "We Are the World" participants working and taking breaks.

"We Are the World" received worldwide radio coverage in the form of an international simultaneous broadcast later that year. Upon spinning the song on their local stations, Georgia radio disc jockeys, Bob Wolf and Don Briscar came up with the idea for a worldwide simulcast. They called hundreds of radio and satellite stations asking them to participate. On the morning of April 5, 1985 (Good Friday of that year) at 3:50 pm GMT, over 8000 radio stations simultaneously broadcast the song around the world. As the song was broadcast, hundreds of people sang along on the steps of St. Patrick's Cathedral in New York. A year later on March 28, 1986 (Good Friday of that year), the simultaneous radio broadcast of "We Are the World" was repeated over 6,000 radio stations worldwide.


"We Are the World" gained further promotion and coverage on May 25, 1986, when it was played during a major benefit event held throughout the US. Hands Across America—USA for Africa's follow-up project—was an event in which millions of people formed a human chain across the US. The event was held to draw attention to hunger and homelessness in the United States. "We Are the World"'s co-writer, Michael Jackson, had wanted his song to be the official theme for the event. The other board members of USA for Africa outvoted him, and it was instead decided that a new song would be created and released for the event, titled "Hands Across America". When released, the new song did not achieve the level of success that "We Are the World" did, and the decision to use it as the official theme for the event led to Jackson—who co-owned the publishing rights to "We Are the World"—resigning from the board of directors of USA for Africa.

Laura Branigan "Hold Me (USA, Atlantic Records, 7 81265-2)"

Hold Me is the fourth studio album by American singer Laura Branigan, released on July 15, 1985, by Atlantic Records. The album peaked at number 71 on the US Billboard 200, though it fared better internationally, reaching the top 10 in Sweden and Switzerland, and the top 15 in Norway.

The album's lead single, "Spanish Eddie", earned Branigan her sixth top-40 entry in two and a half years, peaking at number 40 on the Billboard Hot 100, and was moderately successful outside the United States. Subsequent singles "Hold Me" and "I Found Someone" failed to make an impact, peaking at numbers 82 and 90 on the Billboard Hot 100, respectively. Nevertheless, "Hold Me" reached number 39 on Billboard's Hot Dance/Disco Club Play chart, while "I Found Someone" reached number 25 on the Hot Adult Contemporary chart.

The track "When the Heat Hits the Streets" was used in a television advertising campaign for the Chrysler Laser, with Chrysler serving as a sponsor for Branigan's 1985–1986 Hold Me tour (a Chrysler Laser was prominently displayed in the "Spanish Eddie" music video).

According to Branigan, she said "the album is such a growth from my other albums. I really feel it’s the direction I want to go. My voice is definitely stronger and the material is just incredible. I honestly don't feel there are any fillers."

In their review of the album, Billboard commented that "Branigan's latest includes several tracks by co-producer Harold Faltermeyer, giving the collection an added edge beyond the mainstream ballads and rockers that have characterized her earlier recordings. First single is "Spanish Eddie," but the album should produce several other successful tracks, most notably "Hold Me" and "When I'm With You." 

Cashbox noted that "Laura Branigan's fourth LP for Atlantic combines all of the elements that have brought her a handful of hit singles, from uptempo dance oriented tunes such as this album’s first single, the melodic and colorful “Spanish Eddie,” to beautiful ballads like “Forever Young.” Producer Jack White and other contributors like Harold Faltermeyer have chosen some excellent material here and Branigan shines on every cut."

Allmusic were more mixed in their review, stating that "Laura Branigan began to falter in her quest to be the white, '80s Donna Summer with her fourth album, which failed to scale the sales heights of her first three, despite another clutch of dramatic, heavily produced Eurodisco tracks, three of which found their way onto the singles charts. The closest thing to a hit was "Spanish Eddie" (this album's remake of her first smash, "Gloria"), a song with an odd street-life lyric that made reference to Bob Dylan's "Desolation Row"...Elsewhere, Branigan again turned to songwriter Michael Bolton for "I Found Someone," and as she had with "How Am I Supposed To Live Without You," did it much better than its author, for what it's worth. But on the whole, Hold Me found The Branigan formula growing stale."

Track listing

1. "Hold Me" 4:43
2. "Maybe Tonight" 3:37
3. "Foolish Lullaby" 4:18
4. "Spanish Eddie" 4:08
5. "Forever Young" 3:52
6. "When I'm with You" 4:12
7. "I Found Someone" 4:00
8. "Sanctuary" 3:32
9. "Tenderness" 3:42
10. "When the Heat Hits the Streets" 3:43

Total length: 39:47

MANUFACTURED BY VICTOR COMPANY OF JAPAN, LTD. MADE IN JAPAN

Recording information:

Recorded at Image Recording, Hollywood / CAN AM Recorders, Taranza / Westlake Studios, Los Angeles / Bodifications Inc., Los Angeles / Preferred Sound, Woodland Hills.

Mixed at Image Recording, Hollywood.

Mastered at Bernie Grundman Mastering, Hollywood.

Jürgen Koppers, Brian Malouf, John Kovarek, Brian Reeves, John Van Nest, Ed Thacker, Dave Concors, Tom Whitlock, David Devore – engineering

Steve Krause, Rick Butz, Peggy McAffee, Samii Taylor – engineering assistance

Jürgen Koppers – mixing

Brian Gardner – mastering

Jack White – production (tracks 1–9)

Harold Faltermeyer – production (tracks 1, 7)

Mark Spiro – associate production (tracks 2, 3, 6, 9); production (track 10)

Aaron Rapoport – photography

Bob Defrin – art direction

Michael Jackson "Thriller"

Thriller is the sixth studio album by American singer Michael Jackson, released on November 30, 1982, in the United States by Epic Records and internationally by CBS Records. It explores genres similar to Jackson's previous album, Off the Wall (1979), including pop, post-disco, rock and funk. Recording took place from April to November 1982 at Westlake Recording Studios in Los Angeles, with a production budget of $750,000.

In just over a year, Thriller became the world's best-selling album, having sold an estimated 66 million copies. It is the second-best-selling album in the United States, behind the Eagles' album Their Greatest Hits (1971–1975), and was the first to reach 30x platinum, with 33 million shipped album-equivalent units certified in the US. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year. It produced seven singles—"The Girl Is Mine", "Billie Jean", "Beat It", "Wanna Be Startin' Somethin' ", "Human Nature", "P.Y.T. (Pretty Young Thing)", and "Thriller"—all of which reached the top 10 on the US Billboard Hot 100 chart. Thriller broke racial barriers in pop music, enabling Jackson's appearances on MTV and meeting with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools, and the videos for the songs "Thriller", "Billie Jean", and "Beat It" all received regular rotation on MTV.

In 2001, a special edition reissue was released, which contains additional audio interviews, demo recordings and the song "Someone in the Dark", a Grammy-winning track from the E.T. the Extra-Terrestrial storybook. In 2008, Thriller was reissued again as Thriller 25, containing remixes with contemporary artists, previously unreleased songs, and a DVD with three music videos and Jackson's performance of "Billie Jean" from the 1983 television special Motown 25.

In the same year, the album was inducted into the Grammy Hall of Fame along with Off the Wall. In 2012, Slant Magazine named Thriller the best album of the 1980s. In 2003, Rolling Stone placed the album at number 20 on their list of "The 500 Greatest Albums of All Time". The album was listed by the National Association of Recording Merchandisers at number three on its "Definitive 200" album list. Thriller was also included in the Library of Congress' National Recording Registry of culturally significant recordings, and the Thriller music video was included in the National Film Preservation Board's National Film Registry of "culturally, historically, or aesthetically significant films".

Jackson's previous album Off the Wall (1979) received critical acclaim and was a commercial success, selling over 20 million copies worldwide. The years between Off the Wall and Thriller were a transitional period for Jackson, a time of increased independence. The period saw him become deeply unhappy; Jackson said, "Even at home, I'm lonely. I sit in my room sometimes and cry. It's so hard to make friends ... I sometimes walk around the neighborhood at night, just hoping to find someone to talk to. But I just end up coming home."

When Jackson turned 21 in August 1979, he hired John Branca as his manager. Jackson told Branca that he wanted to be the biggest and wealthiest star in showbusiness. He was upset about what he perceived as the underperformance of Off the Wall, feeling it had deserved the Grammy Award for Record of the Year. He also felt undervalued by the music industry; in 1980, when Rolling Stone declined to run a cover story on him, Jackson responded: "I've been told over and over that black people on the cover of magazines doesn't sell copies ... Just wait. Some day those magazines are going to be begging me for an interview. Maybe I'll give them one, and maybe I won't."

Jackson reunited with Off the Wall producer Quincy Jones to record his sixth studio album, his second under the Epic label. They worked together on 30 songs, nine of which were included on the album. Thriller was recorded at Westlake Recording Studios in Los Angeles, California, with a production budget of $750,000 (US$1,926,319.15 in 2017 dollars). The recording commenced on April 14, 1982 at noon with Jackson and Paul McCartney recording "The Girl Is Mine"; it was completed on the final day of mixing, November 8, 1982. Several members of the band Toto were involved in the album's recording and production. Jackson wrote four songs for the record: "Wanna Be Startin' Somethin'", "The Girl Is Mine", "Beat It" and "Billie Jean". Unlike many artists, Jackson did not write these songs on paper. Instead, he dictated into a sound recorder; when recording he would sing from memory.

The relationship between Jackson and Jones became strained during the recording. Jackson spent much of his time rehearsing dance steps alone. When the album was completed, both Jones and Jackson were unhappy with the result and remixed every song, spending a week on each.

Jackson was inspired to create an album where "every song was a killer" and developed Thriller with that in mind. Jones and songwriter Rod Temperton gave detailed accounts of what occurred for the 2001 reissue of the album. Jones discussed "Billie Jean" and why it was so personal to Jackson, who struggled with obsessed fans. Jones wanted to shorten the long introduction, but Jackson insisted that it remain because it made him want to dance. The ongoing backlash against disco made it necessary to move in a different musical direction from the disco-heavy Off the Wall. Jones and Jackson were determined to make a rock song that would appeal to all tastes and spent weeks looking for a suitable guitarist for the song "Beat It". Eventually, they found Steve Lukather of Toto to play the rhythm guitar parts and Eddie Van Halen of the rock band Van Halen to play the solo.

When Rod Temperton wrote the song "Thriller", he wanted to call it "Starlight" or "Midnight Man", but settled on "Thriller" because he felt the name had merchandising potential. Wanting a notable person to recite the closing lyrics, Jones brought in actor Vincent Price, an acquaintance of Jones' wife; Price completed his part in two takes. Temperton wrote the spoken portion in a taxi on the way to the recording studio. Jones and Temperton said that some recordings were left off the final cut because they did not have the "edginess" of other album tracks.

Thriller explores genres including pop, post-disco, rock and funk. Acording to Steve Huey of AllMusic, it refined the strengths of Off the Wall; the dance and rock tracks are more aggressive, while the pop tunes and ballads are softer and more soulful. The album includes the ballads "The Lady in My Life", "Human Nature" and "The Girl Is Mine". The funk tracks "Billie Jean" and "Wanna Be Startin' Something'", and the disco songs "Baby Be Mine" and "P.Y.T. (Pretty Young Thing)" have a similar sound to Off the Wall.

"Wanna Be Startin' Somethin'" climaxes in an African-inspired chant (often misidentified as Swahili, but actually syllables based on Duala), giving the song an international flavor. "The Girl Is Mine" tells of two friends' fight over a woman, arguing over who loves her more, and concludes with a rap. The album's songs have a tempo ranging from 80 beats per minute on "The Girl is Mine", to 138 on "Beat It".

Thriller foreshadows the contradictory themes of Jackson's later works. With Thriller, Jackson began using a motif of paranoia and darker themes including supernatural imagery in the title track. This is evident on the songs "Billie Jean", "Wanna Be Startin' Somethin'" and "Thriller". In "Billie Jean", Jackson sings about an obsessive fan who alleges he fathered her child; in "Wanna Be Startin' Somethin'" he argues against media gossip. For "Billie Jean", Jones had Jackson sing overdubs through a six-foot (180 cm) cardboard tube and brought in jazz saxophonist Tom Scott to play the lyricon, a wind-controlled synthesizer. Bassist Louis Johnson ran through his part on a Yamaha bass guitar. The song opens with a long bass-and-drums introduction. "Thriller" includes sound effects such as creaking doors, thunder, footsteps, wind, and howling dogs.

The anti-gang-violence "Beat It" became a homage to West Side Story and was Jackson's first successful rock cross-over piece. Jackson later said of "Beat It", "the point is no one has to be the tough guy, you can walk away from a fight and still be a man. You don't have to die to prove you're a man". "Human Nature", co-written by Steve Porcaro of the band Toto, is moody and introspective, as conveyed in lyrics such as, "Looking out, across the morning, the City's heart begins to beat, reaching out, I touch her shoulder, I'm dreaming of the street".

By the late 1970s, Jackson's abilities as a vocalist were well regarded; AllMusic described him as a "blindingly gifted vocalist". Rolling Stone critic Stephen Holden likened his vocals to the "breathless, dreamy stutter" of Stevie Wonder, and wrote that "Jackson's feathery-timbred tenor is extraordinarily beautiful. It slides smoothly into a startling falsetto that's used very daringly." With the release of Thriller, Jackson could sing low—down to a basso low C—but he preferred to sing higher because pop tenors have more range to create style. Rolling Stone critic Christopher Connelly wrote that Jackson was now singing in a "fully adult voice" that was "tinged by sadness".

"P.Y.T. (Pretty Young Thing)", credited to James Ingram and Quincy Jones and "The Lady in My Life" by Rod Temperton, both gave the album a stronger R&B direction; the latter song was described as "the closest Jackson has come to crooning a sexy, soulful ballad after his Motown years" by J. Randy Taraborrelli. Jackson had already adopted a "vocal hiccup" (first used in 1973 on "It's Too Late to Change the Time"), which he continued to implement in Thriller. The purpose of the hiccup—somewhat like a gulping for air or gasping—is to help invoke a certain emotion, be it excitement, sadness or fear.

The cover for Thriller features Jackson in a white suit that belonged to photographer Dick Zimmerman. The gatefold sleeve reveals a tiger cub at Jackson's leg, which, according Zimmerman, Jackson kept away from his face, fearing he would be scratched. Another picture from the shoot, with Jackson embracing the cub, was used for the 2001 special edition of Thriller.

Thriller was released on November 30, 1982, and sold one million copies worldwide per week at its peak. Seven singles were released. "The Girl Is Mine" was criticized as a poor choice of lead single, and its release led to predictions by critics that listeners would find the album disappointing and to suggestions that Jackson was bowing to a white audience. "The Girl Is Mine" was followed by the hit single "Billie Jean", which made Thriller a chart-topper. Success continued with the single "Beat It", which featured guitarists Eddie Van Halen and Steve Lukather. The title track was released as a single and also became a hit internationally.

On December 16, 2015, Thriller was certified 30× platinum by the Recording Industry Association of America, for shipments of at least 30 million units in the US. After the inclusion of streaming and tracks sales into the RIAA album awards in 2017, Thriller was certified 33× platinum for a total of 33 million album-equivalent units. The album topped the charts in many countries, sold 4.2 million copies in the UK, 2.5 million in Japan, and was certified 15× Platinum in Australia. Thriller sells an estimated 130,000 copies in the US per year; it reached number two in the US Catalog charts in February 2003 and number 39 in the UK in March 2007. It remains the best-selling album of all time, having sold over 66 million copies worldwide.

Thriller was ranked as the third best album of all time on the Billboard Top 200 Albums of All Time.

Track listing

Side one

1. "Wanna Be Startin' Somethin'"   6:02
2. "Baby Be Mine"  4:20
3. "The Girl Is Mine" (with Paul McCartney) 3:41
4. "Thriller" 5:57

Side two

1. "Beat It"  4:18
2. "Billie Jean" 4:54
3. "Human Nature" 4:07
4. "P.Y.T. (Pretty Young Thing)" Jones 3:58
5. "The Lady in My Life" 4:59

Total length: 42:19