Mostrando las entradas con la etiqueta Dan Huff. Mostrar todas las entradas
Mostrando las entradas con la etiqueta Dan Huff. Mostrar todas las entradas

lunes, 27 de octubre de 2025

Peter Cetera "Solitude - Solitaire (2010 Reissue, Remastered, Forever Young Series, Japan, Warner-Pioneer/Fullmoon, WPCR-75548)"

Solitude/Solitaire is the second solo album by former Chicago bassist and vocalist Peter Cetera, and his first album after leaving the band in 1985. It was released in June 1986. The album includes the hits "Glory of Love" and "The Next Time I Fall" (with Amy Grant); both reached the No. 1 position on the Billboard Hot 100 chart. Solitude/Solitaire was produced by Michael Omartian, who later co-produced Cetera's 2001 album, Another Perfect World.

Cetera co-wrote eight of the nine songs on the album, "The Next Time I Fall" being the exception. Because Cetera had been a prominent songwriter for Chicago, many of the songs on Solitude/Solitaire were rumored to originally have been slated for Chicago 18, especially "Big Mistake" and "Daddy's Girl".

While "Big Mistake" was due to be the first single from the album, "Glory of Love", co-written by Cetera, David Foster, and Diane Nini, was released instead. That song, from the film The Karate Kid Part II, topped the Billboard Hot 100 and Adult Contemporary charts, and helped Solitude/Solitaire to eventually go platinum. The follow-up single, "The Next Time I Fall", was also a major success and topped the charts. Later singles released from the album included "Big Mistake" and "Only Love Knows Why", which was co-written by the producer Michael Omartian and George Bitzer and reached No. 24 on the Billboard Adult Contemporary chart. The song, "Daddy's Girl," is part of the soundtrack for the 1987 American comedy film, Three Men and a Baby.

The album was Cetera's greatest solo success, peaking at No. 23 on the Billboard 200 chart. It was certified platinum by the RIAA, selling over one million copies in the U.S.

Solitude/Solitaire marked a high point in Cetera's career, where he achieved success for the first time on his own. It sold more copies than Chicago 18, Chicago's first album without Cetera, which peaked at No. 35.

Track listing
  1. "Big Mistake" (Peter Cetera, Amos Galpin) – 5:39
  2. "They Don't Make 'Em Like They Used To" (Cetera, Erich Bulling) – 4:04
  3. "Glory of Love" (Cetera, David Foster, Diane Nini) – 4:19
  4. "Queen of the Masquerade Ball" (Cetera, Michael Omartian) – 3:50
  5. "Daddy's Girl" (Cetera, Mark Goldenberg) – 3:46
  6. "The Next Time I Fall" (with Amy Grant) (Bobby Caldwell, Paul Gordon) – 3:43
  7. "Wake Up to Love" (Cetera, David Wolinski, Omartian) – 4:29
  8. "Solitude/Solitaire" (Cetera, Omartian) – 4:58
  9. "Only Love Knows Why" (Cetera, George Bitzer, Omartian) – 4:29
Recording information:
Michael Omartian – producer
Terry Christian – engineer, mixing
John Guess – engineer, mixing
Britt Bacon – second engineer
Khaliq Glover – second engineer
Laura Livingston – second engineer
Ray Pyle – second engineer
Lion Share Recording Studios, Los Angeles, California – recording and mixing location
Lighthouse Studios, Studio City, California – recording location
Skyline Studios, New York, New York – recording location
Steve Hall – mastering at Future Disc, Hollywood, California
Herb Ritts – photography
Jeri McManus – art direction and design












































domingo, 26 de octubre de 2025

Paula Abdul "Greatest Hits (Brazil, Virgin Records, 848980-2)"

Greatest Hits is the second greatest hits album by American singer Paula Abdul. Released on September 26, 2000 by Virgin Records.

The album contains all of Abdul’s singles from her three studio albums with the exception of "Will You Marry Me?" and "Ain't Never Gonna Give You Up". It does, however, include "Crazy Love" which was previously only available on the Japanese version of Head over Heels, "Bend Time Back 'Round" which was included on the Beverly Hills, 90210 soundtrack, and the previously unreleased "Megamix Medley". By January 2006, the album had sold 138,000 copies in the United States.

Track listing
  1. "Straight Up" (from Forever Your Girl, 1988) 3:52
  2. "Cold Hearted" (from Forever Your Girl) 3:37
  3. "Forever Your Girl" (from Forever Your Girl) 4:13
  4. "The Way That You Love Me" (from Forever Your Girl) 4:01
  5. "Knocked Out" (from Forever Your Girl) 3:32
  6. "Opposites Attract" (with The Wild Pair) (from Forever Your Girl) 3:50
  7. "Bend Time Back 'Round" (from Beverly Hills 90210: The Soundtrack, 1992) 3:57
  8. "Rush Rush" (from Spellbound, 1991)  4:21
  9. "The Promise of a New Day" (from Spellbound) 4:16
  10. "Blowing Kisses in the Wind" (from Spellbound)  4:18
  11. "Vibeology" (from Spellbound) 3:20
  12. "My Love Is for Real" (R&B Remix featuring Ofra Haza) (from Head over Heels, 1995) 4:03
  13. "Crazy Cool" (from Head over Heels) 4:02
  14. "If I Were Your Girl" (from Head over Heels) 3:55
  15. "Megamix Medley" 9:24
  16. "Crazy Love" (from Head over Heels) (Japanese edition) 4:30






















Paula Abdul "Cold Hearted (Single & Video)"

"Cold Hearted" is a song by American singer Paula Abdul, released in June 1989 as the fifth single from her debut album, Forever Your Girl (1988). It was written and co-produced by Elliot Wolff and reached number one on the US Billboard Hot 100, becoming the album's third song to top the US chart.

"Cold Hearted" topped the Billboard Hot 100 chart for one week in September 1989, giving Abdul her third US number-one single. "Cold Hearted" was ranked sixth on Billboard's Year-End Hot 100 ranking of 1989. It spent a total of 21 weeks within the Billboard Hot 100. In Canada, "Cold Hearted" peaked at number one according to The Record magazine and number two according to RPM magazine, while in Finland, in entered the top 20.

The official music video for "Cold Hearted" was directed by David Fincher and spent more than three weeks on top of MTV's video rotation list. It uses the album version of the song, with the rap section from the extended 12" version spliced in after the 3rd chorus. The inspiration for the video came from Bob Fosse's choreography of the "Take Off with Us" scene in the movie All That Jazz. Abdul dances for music executives with a group of semi-nude dancers. Abdul was wearing a black fishnet dress which exposed her belly button and was sporting a hat of the German "Kriegsmarine". The dance floor included scaffolding where Abdul and her dancers hang and dance suggestively. The video was filmed in Downtown Los Angeles where Christina Aguilera's music video for "What a Girl Wants" would also be filmed at.

The video and its "late-'80s energy" served as a visual inspiration for the music video of Ariana Grande's 2024 single "Yes, And?".






viernes, 2 de mayo de 2025

Mariah Carey "Daydream (USA, Columbia Records, 481367 2)"

Daydream is the fifth studio album by American singer-songwriter Mariah Carey, released on September 26, 1995, by Columbia Records. The follow-up to her internationally successful studio album Music Box (1993), and the holiday album Merry Christmas (1994), Daydream differed from her previous releases by leaning increasingly towards urban music. Throughout the project, Carey collaborated with Walter Afanasieff, with whom she wrote and produced most of her previous albums. With Daydream, Carey took more control over the musical direction as well as the album's composition. Carey considered the album to be the beginning of her musical and vocal transition, a change that would become more evident in her sixth studio album Butterfly (1997). During the album's production, Carey endured many creative differences with her label and then-husband Tommy Mottola. On Daydream, Carey collaborated with Jermaine Dupri, Kenneth "Babyface" Edmonds, and R&B group Boyz II Men. With Afanasieff's assistance and the addition of a few contemporary producers, she was able to make a subtle transition into the contemporary R&B market, after previously only pursuing pop, adult contemporary and traditional R&B music.

Daydream received critical acclaim, with reviewers praising the album's production, its sonic quality, and Carey's musical progression. It became Carey's best reviewed album up to that point and garnered six nominations at the 38th Grammy Awards, including for Album of the Year. It was later included on the List of 200 Definitive Albums in the Rock and Roll Hall of Fame. Daydream became a global success, topping the charts in nine countries, and reaching the top five in almost every major music market. It was Carey's second album to be certified Diamond by the RIAA. Daydream has sold over 20 million copies worldwide and is one of the best-selling albums of all time.

Five singles were released from the album. Its lead single "Fantasy" became the first single by a female artist to debut at number one on the US Billboard Hot 100 and went on to top the chart for eight weeks, and became the second best-selling single of 1995 in the country. The second single "One Sweet Day" topped the Billboard Hot 100 for sixteen weeks and became the longest-running number-one single in Billboard's history, holding the record for 23 years. The album's next single "Always Be My Baby" reached number one as well. Jointly, the singles from Daydream spent a combined six months at the top of the Hot 100. To promote the album, Carey embarked on the short but successful, Daydream World Tour, visiting Japan and Europe.

Daydream is Carey's second best-selling album worldwide and served as her most personal and directly influenced album at the time. During the album's recording, Carey grew as an artist, as well as a writer. For the first time in her career, Carey was able to make music that she truly related to, R&B and hip hop. While Columbia allowed Carey more leniency with the music she recorded, they became hesitant when she featured Ol' Dirty Bastard in the remix for "Fantasy". They feared the sudden change was completely left field for her music, and worried it would jeopardize the album's success. In an interview with Entertainment Weekly, Carey openly spoke of her issues with Columbia: "Everybody was like 'What, are you crazy?' They're nervous about breaking the formula. It works to have me sing a ballad on stage in a long dress with my hair up."

While Carey's new musical direction caused tension between her and Columbia, it began to severely strain her relationship with her husband at the time, Tommy Mottola. Mottola had always been involved in Carey's career, because he was the head of Sony Music, the parent company of her label. Since the time of Carey's debut, Mottola had controlled nearly every aspect of her career, keeping her sound carefully regulated and insisting that she continue recording middle-of-the-road pop music, despite her interest in hip hop.
What I tried to do is to put it, sort of, a texture on a lot of songs, like as a background part I did certain things, and you know I just meant to get a little more creative with it.
—Carey, in an interview with MTV, on her styling on Daydream
Carey confessed that she never tried to change the situation because "[she] used to be insecure and cautious, and so [she] would listen to what the people said." However, the control Mottola exerted over her career soon "spilled into her personal life" once they were married, increasing the amount of conflict between the two. Soon, it was obvious that their marriage was in shambles; as stated in a Vanity Fair article, "the couple began to argue at the drop of a hat." Carey was very involved in the project, more so than she had ever been on an album. "I went into this phase of recording, recording, recording and doing it really fast," she told Time. "This time, I had more time, and I focused more on what I wanted to do." As Carey's career and work continued to reflect her views on how it should sound, her marriage to Mottola continued to "deteriorate".

During the recording of Daydream, Carey also worked on the alternative rock album Someone's Ugly Daughter by the band Chick, contributing writing, production, vocals and art direction. As Columbia refused to release the album with her lead vocals, Carey's friend Clarissa Dane was brought in to become the face of Chick, and her vocals were layered on top of Carey's, masking her voice. According to Carey, "I was playing with the style of the breezy-grunge, punk-light white female singers who were popular at the time ... I totally looked forward to doing my alter-ego band sessions after Daydream each night." Her contributions were secret until the release of her 2020 memoir The Meaning of Mariah Carey.

Daydream was released in Taiwan on September 26, 1995, Europe on September 28, Japan on September 30, Hong Kong on October 2, and the United States on October 3.

In order to promote the album, Carey embarked on her second head-lining tour. Originally she was against touring due to the long travel times and hassle, but obliged due to fan request. The tour reached Japan and select European countries, not visiting the United States. This was possibly due to the mixed reception Carey's 1993 North American Music Box Tour received three years prior. The shows were all spaced apart, giving Carey time to rest her vocals, "It's very strenuous to sing all my songs back to back, but I'm actually really looking forward to it." Before embarking on her world tour in 1996, Carey performed a sold-out show at Madison Square Garden in 1995. The performance was filmed, and released as a DVD titled Fantasy: Mariah Carey at Madison Square Garden. It became Carey's fourth video release.

For the show, Carey sang fourteen original songs, including many of her biggest hits up until that point, as well as many songs from Daydream. They included "Fantasy", "One Sweet Day", "Open Arms", "Always Be My Baby", "Forever" and "Underneath the Stars" as well as hits from her previous studio efforts. Carey's following shows in France, Germany, The Netherlands and the United Kingdom were all sold-out as well, receiving warm critical response. During the span of the tour's seven short dates, Carey had already begun working on concepts for her new album Butterfly.

In addition to touring the world, Carey performed on a variety of television programs and award shows. After "Fantasy" was released in September throughout Europe, Carey performed the song on the popular British chart show Top of the Pops, which aired live via satellite on Asian television. Carey performed "Fantasy" in France and at the 23rd Annual American Music Awards on January 29, 1996. "One Sweet Day" was performed at the 38th Annual Grammy Awards, Princess Diana's memorial service in September 1997, and at Carey's Black Entertainment Television Christmas special in 2001. During her European promotional tour for the album, Carey performed "Open Arms" on various television programs, including Wetten, dass..? in Germany, Top of the Pops and Des O'Connor in the United Kingdom and on Swedish television.

Daydream proved to be one of the best-selling and most acclaimed albums of 1995. When the Grammy Award nominees were announced, and Daydream was nominated for six different awards, critics began raving how it would be "cleaning up" that year. The 38th Annual Grammy Awards were held on February 28, 1996, at the Shrine Auditorium in Los Angeles. Carey, being a multiple award nominee, was one of the headlining performers at the ceremony. Together with Boyz II Men, she performed a live rendition of "One Sweet Day", to a very positive response. However, as the award winners were announced one by one, Carey watched as her name was not called up even once. Daydream had lost all of its six nominations, shocking most critics who branded it the "album of the year". With every passing loss, the television cameras continued to zoom on Carey's face, who was finding it more difficult to retain her smile. By the end of the night, Carey had not won a single award. The disappointment on her face was "painfully obvious", according to media outlets. Carey did not perform again until the 2006 ceremony, when she was nominated for eight awards (winning three) for The Emancipation of Mimi.

Track listing
  1. "Fantasy" 4:04
  2. "Underneath the Stars"  3:33
  3. "One Sweet Day" (with Boyz II Men) 4:42
  4. "Open Arms" (Journey cover) 3:30
  5. "Always Be My Baby" 4:18
  6. "I Am Free" 3:09
  7. "When I Saw You" 4:24
  8. "Long Ago" 3:33
  9. "Melt Away" 3:42
  10. "Forever" 4:00
  11. "Daydream Interlude" (Fantasy Sweet Dub Mix) 3:04
  12. "Looking In" 3:35
Recording information:
Mariah Carey – vocals, producer, writer, arranger, crowd noise
Mike Scott – engineer
Manuel Seal – producer, lead and backup vocals
Dan Shea – synthesizer, bass, keyboards, programming, moog synthesizer, drum programming, synthesizer bass
Andy Smith – engineer
David Sussman – engineer, mixing
Phil Tan – engineer
Steve Thornton – percussion
Dana Jon Chappelle – engineer
Terry Burrus – piano
Satoshi Tomiie – bass, keyboards, programming, synthesizer bass
Brian Vibberts – engineer
Gary Cirimelli – programming, digital programming
Randy Walker – programming
Acar Key – engineer
Frank Filipetti – engineer
Mark Krieg – 2nd engineer
Kirk Yano – additional tracking engineer
Mick Guzauski – mixing