Digipak sleeve with glued-in 20 pages booklet.
CELTIC TIDES is a musical voyage from the Old World to the New and is the companion CD to the Celtic Tides documentary.
A portion of the proceeds from the sale of this CD will be contributed to the American-Ireland Fund in support of their relief work with children in Northern Ireland.
Track 1 from The Chieftains - Fire In The Kitchen ℗1998 Wicklow Recordings ©Chrysalis Publishing, UK.
Track 2 from Clannad - Clannad 2 ℗1974 Gael-Linn Records ©1974 Gael-Linn Inc.
Track 3 from Dougie MacLean - Riof ℗1997 Dunkeld Records ©1997 MCPS on behalf of Limetree Arts & Music.
Track 4 from Solas - Sunny Spells & Scattered Showers ℗1997 Shanachie Records ©1997 Shanachie Music.
Track 5 from Mary Black - Collected ℗Gifthorse Records ©1997Topic Records Music.
Track 6 from Altan - Horse With A Heart ℗1995 Green Linnet Records ©1989 Green Linnet.
Track 7 from Old Blind Dogs - Legacy ℗1995 KRL ©1989 Bulk Music Ltd.
Track 8 from Dougie MacLean - Craigie Dhu ℗1983 Dunkeld Records ©1983 Limetree Arts & Music.
Track 9 from Mary Jane Lamond - Suas e! ℗1997 PolyGram Canada, Inc./Wicklow ©1997 Turtlemusik.
Track 10 from Ashley MacIsaac - Hi™ How Are You Today? ℗1995 Ancient Music Ltd. ©1995 Ancient Music Ltd.
Track 11 from Natalie MacMaster - No Boundaries ℗1997 Rounder Records/Warner Music Canada © McMaster Music/Fiddlesticks/J.Holland.
Track 12 from Capercaillie - To The Moon ℗1997 Survival Records ©1997 Survival Records/Sony Music Publishing.
Track 13 from Seamus Egan - When Juniper Sleeps ℗1996 Shanachie Records ©1996 Seamus Egan Music/BMI.
This compilation ℗ & © 1998 Putumayo World Music
Something Special es una compilacion de A&M Records editada en México. Esta compilación: (P) 1995 Polygram Discos S.A. de C.V.
Back to the Future: Music from the Motion Picture Soundtrack is the soundtrack album to the film of the same name. It was released on July 8, 1985 by MCA Records. The album included two tracks culled from Alan Silvestri's compositions for the film, two tracks from Huey Lewis and the News, two songs played by the fictional band Marvin Berry and The Starlighters, one played by Marty McFly and The Starlighters, and two pop songs that are only very briefly heard in the background of the film.
"The Power of Love" was the first number-one single on the US Billboard Hot 100 for Huey Lewis and the News, certified Gold and nominated for an Academy Award for Best Original Song. The album spent 19 weeks on the Billboard 200, peaking at number 12 in October 1985.
Track listing
"The Power of Love" – Huey Lewis and the News (3:58)
"Time Bomb Town" – Lindsey Buckingham (2:48)
"Back to the Future" – The Outatime Orchestra (3:20)
"Heaven Is One Step Away" – Eric Clapton (4:13)
"Back in Time" – Huey Lewis and the News (4:22)
"Back to the Future Overture" - The Outatime Orchestra (8:19)
"The Wallflower (Dance with Me, Henry)" – Etta James (2:45)
"Night Train" – Marvin Berry & the Starlighters (2:17)
"Earth Angel (Will You Be Mine)" – Marvin Berry & the Starlighters (3:02)
"Johnny B. Goode" – Marty McFly With The Starlighters (3:06)
The Outatime Orchestra is named after the license plate of the DeLorean.
Songs not included on the soundtrack album:
"The Washington Post" - Composed by John Philip Sousa
"Mr. Sandman" - Performed by The Four Aces
"The Ballad of Davy Crockett" - Performed by Fess Parker
"Pledging My Love" - Performed by Johnny Ace
"Out the Window" - Performed by Edward Van Halen
To put the tracks in the chronological order they first appear in the film, the listing would be as such: 1, 2, 7, the first 90 seconds of 6, 8, 9, 10, the remainder of 6, 4, 5, and 3. The "Back to the Future Overture" on the original album is made up of the following cues as released on the subsequent score album:
Marty's Letter
Clocktower (:50 - 5:35)
'85 Lone Pine Mall (1:41 - end)
A 1999 CD release entitled The Back to the Future Trilogy featured additional compositions by Silvestri from the first film. However, these were re-recordings by the Scottish National Orchestra and not Silvestri's original recordings.
The musical material ostensibly performed by the characters Marty McFly, Marvin Berry and the Starlighters in the film, was recorded by Harry Waters, Jr. as Marvin Berry and Mark Campbell as Marty McFly, and the guitar solo by Tim May. (Campbell and May received a "Special Thanks" acknowledgment in the film's end credits, with the recording credit going to the fictional characters.) Berry's group also plays the song "Night Train", first recorded by Jimmy Forrest in 1951.
In the film, Marvin Berry, a fictitious cousin of Chuck Berry, phones Chuck and lets him listen to the music. The real Johnny B. Goode was released only three years after the time it is played in the film.
The film's musical score was composed and conducted by Alan Silvestri, who later wrote music for Who Framed Roger Rabbit, Forrest Gump and numerous other films, many of them directed by Robert Zemeckis. The memorable themes in his "Back to the Future Overture" have since been heard in the film's sequels (also scored by Silvestri), in Back to the Future: The Ride, and as ambient music at the Universal Studios theme parks. A remix of the main theme was heard in the opening sequence for MCA-Universal Home Video from 1990 to 1997. The upbeat soundtrack, featuring two new songs by Huey Lewis and the News, also contributed to the film's popularity. "The Power of Love" became the band's first song to hit number one on the Billboard Hot 100 and was nominated for an Academy Award. Huey Lewis portrayed the high-school band audition judge who rejects Marty McFly's band, the Pinheads, as they perform the short instrumental hard-rock version of "The Power of Love".
There is also another album version of the soundtrack, with only the original score by Silvestri. The only legitimate release was by independent label Intrada, but another so-called "DeLorean" version released in the 1990s was an unauthorized bootleg.
In November 2009, Intrada released an official two-disc album containing Silvestri's complete score. The first disc contained the complete orchestral score as recorded for the finished film, along with two source cues that Silvestri wrote. The second disc consisted of alternate approaches that Silvestri took with a large portion of the score, with a darker, more serious tone.
None of the songs from the first album are included in this score-only album, and for moments in the film where Silvestri's score was shortened (i.e. the final moments of "Einstein Disintegrated" and "Peabody Barn; Marty Ditches DeLorean"), replaced with source music ("Town Square") or unused ("Logo"), the full score cue is presented as originally recorded.
The set was a limited edition of 10,000 units and sold nearly 6,000 by the end of January 2010. It sold out in August 2014; however, on October 12, 2015 it was made available as an unlimited release in a single-disc edition, featuring the music on disc one of the two-disc set.
Romancing the Stone is a 1984 American romantic comedy-adventure film directed by Robert Zemeckis and written by Diane Thomas. The film stars Michael Douglas, Kathleen Turner, and Danny DeVito, and was followed by a 1985 sequel titled The Jewel of the Nile.
Romancing the Stone earned over $86 million worldwide at the box office. It also helped launch Turner to stardom, reintroduced Douglas to the public as a capable leading man, and gave Zemeckis his first box-office success.
Beverly Hills Cop is the soundtrack to the 1984 action comedy film Beverly Hills Cop. It was released on December 4, 1984 by MCA Records. The soundtrack was mastered by Greg Fulginiti and features various artists whose tracks were included in the movie plus some other tracks not included in the movie but are similar in electronic style. The instrumental title tune, "Axel F" by Harold Faltermeyer, became a worldwide hit single and has since been covered by numerous artists.
The soundtrack was reviewed by Billboard magazine in the issue dated December 15, 1984 and debuted on the US Billboard 200 the week ending January 12, 1985 at No. 177. It hit #1 on the US Billboard 200 album chart on June 22, 1985.
The soundtrack won a Grammy Award for Best Score Soundtrack for Visual Media in 1986.
