jueves, 27 de julio de 2017

Talk Talk "Spirit of Eden"

Spirit of Eden is the fourth album by English band Talk Talk, released in 1988 on Parlophone records. The album was not a commercial success when released but has since become a cult favourite.

The songs were written by vocalist Mark Hollis and producer Tim Friese-Greene and the album was compiled from a lengthy recording process at London's Wessex Studios between 1987 and 1988. Often working in darkness, the band recorded many hours of improvised performances that drew on elements of rock, jazz, classical and ambient music. These were heavily edited and re-arranged into an album in mostly digital format.

Critics often view Spirit of Eden as a departure from Talk Talk's earlier and more accessible albums. Compared to their 1986 hit The Colour of Spring, it was a commercial disappointment. However, it has received widespread critical praise.

Talk Talk, led by singer Mark Hollis, formed in England in the early 1980s. From the start, Hollis cited jazz and impressionist artists like Miles Davis, John Coltrane, Béla Bartók and Claude Debussy as major influences. But Talk Talk's first two albums, The Party's Over (1982) and It's My Life (1984), did not readily reflect such influences; critics compared the band to contemporary new wave groups, especially Duran Duran. Hollis partly attributes the shortcomings of their early music to a financial need to use synthesizers in place of acoustic instruments.


Although critics did not favour the band's early output, the first two albums were commercially successful in Europe. This gave Talk Talk the money needed to hire additional musicians to play on their next album, The Colour of Spring (1986). The band no longer had to rely on synthesizers. Instead, musicians improvised with their instruments for many hours, then Hollis and producer Tim Friese-Greene edited and arranged the performances to get the sound they wanted. A total of sixteen musicians appeared on the album. The Colour of Spring became Talk Talk's most successful album, selling over two million copies and prompting a major world tour. At the same time, minimalist songs like "April 5th," "Chameleon Day," and the B-side "It's Getting Late in the Evening" pointed towards the band's next direction.

For the success of The Colour of Spring, EMI rewarded Talk Talk with an open budget and schedule for the recording of their next album, Spirit of Eden. Talk Talk were given complete control over the recording process; their manager and EMI executives were barred from studio sessions. Recording for Spirit of Eden began in 1987 at Wessex Studios, London and took about a year to complete.


Engineer Phill Brown said that the album, along with its successor, was "recorded by chance, accident, and hours of trying every possible overdub idea."























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