lunes, 29 de enero de 2018

Phil Collins "Both Sides"

Both Sides is the fifth solo studio album by English singer-songwriter Phil Collins. Featuring an adult-oriented soft rock based sound, the release came out in November 1993. Collins notably created the album entirely by himself without any collaborations from outside songwriters and performers, and he picked up mixed to positive critical reviews with the release, with Stephen Thomas Erlewine of AllMusic stating that the album's "artistically satisfying" songs feature "troubled, haunting tales".

A special two-disc edition of the album featuring the Live from the Board – Official Bootleg EP as a second disc, titled Far Side... of the World: Gold Souvenir Tour Edition after the final leg of the Both Sides tour, was released in Southeast Asia and Australia in 1995. It peaked at No. 13 in Australia.

The album achieved commercial success, reaching number one in the U.K., number eight in Australia, and number thirteen in the U.S. Collins also went on the highly successful Both Sides of the World Tour upon its release. That effort involved over a hundred performances in a tour that went over a year, and it showed that he remained a very popular live performer worldwide, despite the shifts in the Anglo-American musical landscape taking place.

A newly remastered, two-disc deluxe edition of the album was released on 29 January 2016, as part of the 'Take a Look at Me Now' series of Phil Collins studio album reissues.

Both Sides was notable for the fact that Collins made it entirely on his own, without usual collaborators producer Hugh Padgham, guitarist Daryl Stuermer, bassist Leland Sklar and the Phenix Horns. After recording demos at home, the album was finished in just six weeks at the Farm with the help of producer/engineer Paul Gomersall. For the first and only time in his career, Collins played all the instruments himself as well as taking care of the primary production duties. In addition, Collins wrote sleeve notes explaining the meaning of each song, another first.

Collins claims this album to be his favorite. "Both Sides is my favorite album, from a songwriting and creative perspective. It was very much a solo album. I played everything, the songs just streamed out of me, and as a writer that's the kind of thing that you dream of," said Collins in 2016. It was also written in response to the failure of his marriage to second wife Jill Tavelman. "It was the second divorce! Personal relationships at that time were tangled, is a better way of saying it, and it all came very spontaneously," he said. As a result, it is seen as his most personal album. "In the end I had 17 songs, and kicked out all those that did not fit that mood. As far as performance is concerned this has more heart and soul than anything I have done before."


Collins expresses both his feelings and personal problems and addresses political issues over the course of the album. He touches on politics and "the daily cloud of terrorism Britain seems to live under" on "We Wait and We Wonder", but also on a maturing disenchantment with the youth culture on "We're Sons of Our Fathers". The overall sound of Both Sides marked a return to the dark and melancholy style of his early albums Face Value and Hello, I Must Be Going!, which were largely grounded on the themes of relationship breakdown and loss. Mirroring the circumstances in which those albums were conceived, Collins' marriage to Jill Tavelman was also failing around the time that Both Sides was written. About the influence of his emotions on his songs he adds: "I have reached this point. Very intimate, very private songs seem to flow easily. I suddenly felt I had a lot to say."

Several instrumental tracks were recorded and subsequently released as extra tracks on both singles for "Everyday" and "We Wait and We Wonder". These instrumental tracks include "Rad Dudeski" and "Don't Call Me Ashley". In addition, there were other various B-sides that were released from the Both Sides sessions ("Take Me with You", "For a Friend") and a few cover songs that made it on other various albums.

There has been discussion about a song called "Deep Water Town". It is from the Both Sides sessions and did not make the cut. It was never released or widely circulated amongst collectors. A very early "demo" of it was released on the official fanclub in 2011. In fact, this is more of an improvisation from which only a bit of the chorus will make it to the completed track. This completed track features an atmospheric drum machine, keyboard sounds (no piano) and vocals by Collins telling a story about a disaster at sea and families left behind.


In November 2004, Collins himself commented on the song on the forum of his old official website: "DEEP WATER TOWN...again I scratch my head and ask how did someone get it... I don't think it was ever released, or am I going slowly senile. It was a pretty song about a disaster at sea, and the families left behind. Obviously one of my more cheerful pre-divorce moments. Circa Both Sides...."




















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