sábado, 28 de septiembre de 2019

Michael Jackson "Off The Wall"

Off the Wall is the fifth solo studio album by American singer Michael Jackson, released on August 10, 1979 in the United States by Epic Records and internationally by CBS Records. It was Jackson's first album released through Epic Records, the label he recorded under until his death in 2009, and the first produced by Quincy Jones, whom he met while working on the 1978 film The Wiz. Several critics observed that Off the Wall was crafted from funk, disco, soft rock, Broadway and pop ballads. Its lyrical themes include escapism, liberation, loneliness, hedonism and romance.

Off the Wall peaked at number three on the Billboard 200 and was an enormous commercial success, with Billboard additionally ranking it as the third best-selling album of 1980. Five singles were released from the album, three with music videos. Jackson wrote three songs himself, including the number-one single "Don't Stop 'Til You Get Enough". The second single from the album, "Rock with You" also peaked atop the Billboard Hot 100. With Off the Wall, Jackson became the first solo artist to have four singles from the same album peak inside the top 10 of the Billboard Hot 100. The record was a departure from Jackson's previous work for Motown Records, and was hailed as a major breakthrough for Jackson, while receiving critical recognition, along with praises, from major music publications.

Off the Wall was nominated for two Grammy Awards, with Jackson winning Best Male R&B Vocal Performance for "Don't Stop 'Til You Get Enough" which was his first Grammy Award. As of 2018, Off the Wall is certified eight times platinum in the United States and has reportedly sold more than 20 million copies worldwide, making it one of the best-selling albums of all time. Often considered one of the best disco albums of all time, the album was placed at number 68 on Rolling Stone list of "The 500 Greatest Albums of All Time" in 2003. The National Association of Recording Merchandisers listed it at number 80 on its list of the "Definitive 200 Albums of All Time". In 2008, Off the Wall was inducted into the Grammy Hall of Fame.

Between 1972 and 1975, Michael Jackson released a total of four solo studio albums with Motown; Got to Be There, Ben, Music & Me, and Forever, Michael. These were released as part of The Jackson 5 franchise, and produced successful singles such as "Got to Be There", "Ben" and a remake of Bobby Day's "Rockin' Robin". The Jackson 5's sales, however, began declining in 1973, and the band members chafed under Motown's strict refusal to allow them creative control or input. Although the group scored several top 40 hits, including the top five disco single "Dancing Machine" and the top 20 hit "I Am Love", The Jackson 5 (minus Jermaine Jackson) left Motown in 1975. The Jackson 5 signed a new contract with CBS Records in June 1975, first joining the Philadelphia International Records division and then Epic Records. As a result of legal proceedings, the group was renamed The Jacksons. After the name change, the band continued to tour internationally, releasing five more studio albums between 1976 and 1984; their self-titled eleventh album, Goin' Places, Destiny, Triumph, and Victory, as well as a live concert album in 1981. During that period, Michael was not only the lead singer, but also the chief songwriter for the group, writing or co-writing such hits as "Shake Your Body (Down to the Ground)", "This Place Hotel" and "Can You Feel It".

In 1978, Jackson starred as Scarecrow in the film musical The Wiz. The musical scores were arranged by Quincy Jones, who formed a partnership with Jackson during the film's production and agreed to produce the singer's solo album Off the Wall. Jackson was dedicated to the role, and watched videotapes of gazelles, cheetahs and panthers in order to learn graceful movements for his part. Jones recalled working with Jackson as one of his favorite experiences from The Wiz, and spoke of Jackson's dedication to his role, comparing his acting style to Sammy Davis, Jr. Critics panned The Wiz upon its October 1978 release, but Jackson's performance as the Scarecrow was one of the only positively reviewed elements of the film, with critics noting that Jackson possessed "genuine acting talent" and "provided the only genuinely memorable moments." Of the results of the film, Jackson stated: "I don't think it could have been any better, I really don't". In 1980, Jackson stated that his time working on The Wiz was "my greatest experience so far...I'll never forget that".

When Jackson began the Off the Wall project he was not sure what he wanted as the final result; however, he did not want another record that sounded like The Jacksons, but rather he wanted more creative freedom, something he had not been allowed on prior albums. Jackson's father Joseph also approved of the project and allowed him to record it on the condition that it didn't interfere with group business. Despite his brothers' desire to work with him, Jackson wanted to make the album independently of his family. Nevertheless, his brother Randy still contributed percussion to "Don't Stop 'Til You Get Enough".

Jones produced "Off the Wall", with co-production credit given to Jackson on the songs he wrote for the album. Songwriters included Jackson, Heatwave's Rod Temperton, Stevie Wonder and Paul McCartney. All sessions took place at Los Angeles County-based recording studios. Rhythm tracks and vocals were recorded at Allen Zentz Recording, the horn section's contributions took place at Westlake Audio, and string instrumentation was recorded at Cherokee Studios in West Hollywood. Following the initial sessions, audio mixing was handled by Grammy-winning engineer Bruce Swedien at Westlake Audio, after which the original tapes went to the A&M Recording Studio, also located in L.A., for mastering. Swedien would later mix the recording sessions for Jackson's next album and his most well-known work, 1982's Thriller. Jones recalled that, at first, he found Jackson to be very introverted, shy and non-assertive.

"She's Out of My Life" had been written for Jones by Tom Bahler three years earlier. Jackson heard and enjoyed it, and Jones allowed him to use it on the record. Jones called in Heatwave's keyboardist Rod Temperton to write three songs. The intention was for Jackson and Jones to select one of his songs, but Jackson, liking them all, included all of them in the final cut. Jackson stayed up all night to learn the lyrics to these songs instead of singing from a sheet. He finished the vocals to these three Temperton songs in two recording sessions. Temperton took a different approach to his song writing after spending some time researching the background to Jackson's music style. Temperton mixed his traditional harmony segments with the idea of adding shorter note melodies to suit Jackson's aggressive style. Jackson wrote "Don't Stop 'Til You Get Enough" after humming a melody in his kitchen. After listening to hundreds of songs, Jackson and Jones decided upon a batch to record. In hindsight, Jones believed they took a lot of risks in the production of Off the Wall and the final choice of album tracks. Attention was also paid to the album cover, which shows Jackson smiling, wearing a tuxedo and trademark socks. His manager stated, "The tuxedo was the overall plan for the Off the Wall project and package. The tuxedo was our idea, the socks were Michael'".

On October 16, 2001, a special edition reissue of Off the Wall was released by Sony Records. It was re-released again on February 26, 2016. The material found strong praise from critics more than 20 years after the original release. AllMusic gave the record a five star review, praising the record's disco-tinged funk and mainstream pop blend, along with Jackson's songwriting and Jones' crafty production. The publication believed, "[Off the Wall] is an enormously fresh record, one that remains vibrant and giddily exciting years after its release".

In recent years Blender gave the record a full five star review stating that it was, "A blockbuster party LP that looked beyond funk to the future of dance music, and beyond soul ballads to the future of heart-tuggers—in fact, beyond R&B to color-blind pop. Hence, the forgivable Wings cover".

In 2003, the album was ranked number 68 on Rolling Stone magazine's list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list. The National Association of Recording Merchandisers listed it at number 80 of the Definitive 200 Albums of All Time. In 2004, Nelson George wrote of Jackson and his music, "the argument for his greatness in the recording studio begins with his arrangements of "Don't Stop 'Til You Get Enough". The layers of percussion and the stacks of backing vocals, both artfully choreographed to create drama and ecstasy on the dance floor, still rock parties in the 21st century". In 2008, Off the Wall was inducted into the Grammy Hall of Fame.

On January 7, 2016, Sony Music and The Estate of Michael Jackson announced that Off the Wall would be reissued and packaged with a new documentary directed by Spike Lee entitled Michael Jackson's Journey from Motown to Off the Wall. The reissue and documentary were both released on February 26, 2016. Recent reviews by AllMusic and Blender have continued to praise Off the Wall for its appeal in the 21st century.

In August 2018, on the occasion of what would have been Jackson's 60th birthday, Entertainment Weekly reevaluated the album, giving it a score of A−, saying that the album was Jackson's first musical statement as an adult, that it was "a featherweight rapture of disco-flecked R&B" containing dance-floor favorites and some lesser songs.

Track list:
  1. «Don't Stop 'Til You Get Enough» Michael Jackson 6:05
  2. «Rock with You» Rod Temperton 3:40
  3. «Workin' Day and Night» Michael Jackson 5:14
  4. «Get on the Floor» Michael Jackson, Louis Johnson 4:39
  5. «Off the Wall» Rod Temperton 4:05
  6. «Girlfriend» Paul McCartney 3:05
  7. «She's Out of My Life» Tom Bahler 3:37
  8. «I Can't Help It» Stevie Wonder, Susaye Greene 4:29
  9. «It's the Falling in Love» Carole Bayer Sager, David Foster 3:48
  10. «Burn This Disco Out» Rod Temperton 3:41
2001 Special Edition
  1. «Quincy Jones Interview #1» 0:37
  2. «Introduction to Don't Stop 'Til You Get Enough Demo» 0:13
  3. «Don't Stop 'Til You Get Enough (Original Demo from 1978)» Michael Jackson 4:48
  4. «Quincy Jones Interview #2» 0:30
  5. «Introduction to Workin' Day and Night Demo» 0:10
  6. «Workin' Day and Night (Original Demo from 1978)» Michael Jackson 4:19
  7. «Quincy Jones Interview #3» 0:48
  8. «Rod Temperton Interview» 4:57
  9. «Quincy Jones Interview #4» 1:32






















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